• Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button
TEAMWORK ELEVATED

The success of the remarkable 25-story 95 State at City Creek high-rise is a testament to the dynamic collaborative effort of the entire project team.
By Brad Fullmer

Already a highly ambitious and supremely technical project from a construction standpoint, Salt Lake City’s latest office tower—the ultra-sexy, 25-story 95 State at City Creek—became even more challenging when the Covid-19 pandemic struck in March 2020, forcing executives from Salt Lake-based general contractor Okland Construction to institute strict protocols to ensure worker safety. 

And it was no small feat, with peak worker capacity hovering near 600 at one point. According to Zach Lewis, Project Director for Okland, every subcontractor on the job answered the bell, resulting in the project nary missing a beat and remaining firmly on schedule. Lewis expressed profound gratitude at how everyone rallied together and the collective “beehive” mentality that existed during a demanding time.

“We were in the height of building this project when Covid hit—every day I was amazed and proud and humbled by people who showed up and did their job,” said Lewis. “We were serious about mask-wearing. We got to a point where we could walk through, and everyone was wearing a mask. I take my hat off to the men and women who showed up every day and made it possible.”

Mike Jueschke, Okland’s Sr. Project Manager, echoed Lewis’ sentiments. 

“I was amazed not only by workers showing up but hanging heavy steel with a mask on—not an easy task,” he said. “For a good portion of [hanging steel], we didn’t have elevators. Hiking stairs in a mask, glasses fogging up […] it was a frustration for the workforce, but they complied. We had people thanking us that we were enforcing it so rigidly so they could keep working.”

Jueschke said when it came to pouring concrete, “You can’t ‘social distance,’ so we reduced the workforce as much as possible […] and re-sequenced the direction we placed concrete to not jam people into corners.”

The stylish lobby space is highlighted by a high-end Italian white marble, rich wood ceiling panels,
and a giant digital video display (photo courtesy SOM © Dave Burk).

A Project Like No Other

There are many one-of-a-kind superlatives on owner City Creek Reserve Inc.’s (CCRI) second major office tower that graces Utah’s capital city—24-story 111 Main was completed in 2016—including a dynamic, highly complex structural system, the visually stunning and highly functional all-glass curtain wall system, the exquisite white Italian marble in the main lobby, and the fact that the building includes two chapels that serve a dozen wards (congregations) for the Church of Jesus Christ of Latter-day Saints.

There are many one-of-a-kind superlatives to describe owner City Creek Reserve Inc.’s (CCRI) second major office tower—the 24-story 111 Main was completed in 2016—that graces Utah’s capital city. Start with 95 State's dynamic, highly complex structural system, the visually stunning and highly functional all-glass curtain wall system, the exquisite white Italian marble in the main lobby, and the fact that the building includes two chapels that serve a dozen local congregations for the Church of Jesus Christ of Latter-day Saints, to name a few. 

Designed by San Francisco-based Skidmore, Owings & Merrill (SOM)—the same architect as 111 Main—95 State at City Creek is the second phase of a multi-phase development that ties into the adjacent Harmons grocery store and parking garage that came online in 2011. A single-level basement houses mechanical equipment and parking, with the two chapels occupying the second through fourth floors. A posh fitness center and three spacious conference rooms comprise the fifth floor, which opens onto an adjacent roof garden terrace. 

Beyond commercial office space and the chapels, the project includes the Social Hall Pavilion and an underground tunnel that links the tower directly to City Creek Center mall west of State Street. The pavilion is a glass-enclosed redevelopment of the former Social Hall Museum building with 1,850 SF of retail space. 

SOM had up to 10 architects working on this project at one time, led by Steve Sobel, Managing Principal; Michael Duncan, Design Partner; and Sean Ragasa, Design Principal. Each said having prior experience with the client on 111 Main helped streamline the process, even though the two buildings have little in common other than their respective “wow” factor. 

“We’ve done a number of projects with City Creek Reserve—the relationship goes back to work we did on the same site for the Harmons grocery store,” said Duncan, adding that SOM also did master planning on Block 75 and 76 (City Creek Mall and both sides of Main Street). “Those relationships have been positive. For a project of this scale, to have those open lines of communication and being creative together helps the success of the project.”

Jueschke echoed SOM, saying, “There was great mutual trust.”

“Our relationship with CCRI on 111 Main grew a great sense of trust between us,” added Ragasa. “It required us to be on the same page and completely aligned. We knew the same level of quality could be achieved, and that we could trust [CCRI Construction Manager] Sean Tuite to make sure this building came together the way we designed it.” 

“We had to design a building as significant [as 111 Main], but different,” said Sobel. “We talked about the imagery of the building […] and how it captured the mountains behind it. It’s a different type of glazing in terms of color. The curved glass [four giant curved panels create the corners] is one aspect as the building curves on the east and west façades to capture views in a 360-degree manner—they are quite spectacular. The ‘wow’ factor is the overall composition and beautiful form that sit nicely in the city scale.” He also praised the craftsmanship and detail of the glass curtain wall system, which offers “sensational” public spaces in the lobby area. 

Including two full-sized chapels make 95 State one of the most unique buildings ever designed—not only in Salt Lake but anywhere in the world. Designers were careful to make the office ecclesiastical elements different, yet symmetrical enough to look seamless in their respective aesthetics. 

“The idea of contrasting commercial office space with ecclesiastical space was exciting,” said Duncan.

“We didn’t want the ecclesiastical portion to feel too rigid,” added Ragasa. “One of the things we used to distinguish the meetinghouse was the use of art glass on the north end. We came up with a cast glass pattern that varies in colors [pink and orange, blue and green], where sunlight creates great light and projects onto the street. It’s one of our favorite aspects of the building.”

Designers also prioritized sustainability, utilizing LEED and WELL Building Standard criteria to embrace sustainability from individual tenant health (WELL) to 95 State’s context in the greater built environment (LEED). The project is expected to achieve LEED Gold certification.


  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

  • Slide title

    Write your caption here
    Button

An ecclesiastical element—two full-size chapels and meeting rooms in the first four floors—is one of the more unique aspects of the project and serves a dozen local congregations (aerial photo courtesy Endeavour Architectural Photography). Copious amounts of natural daylighting is a staple throughout the all-glass building (photo courtesy SOM © Dave Burk)

Complex Structural System Designed 

for Optimum Seismic Resistance 

With the 392-foot-tall building (currently the third tallest in Salt Lake City) located within 1.5 miles of the Wasatch Fault, SOM’s structural engineering team utilized state-of-the-art, performance-based seismic design modeling/standards to ensure optimum response in the event of a major seismic event. 

According to Peter Lee, Associate Principal with SOM, a linear and non-linear analysis was done on the maximum considered earthquake—7.5 magnitude. It was based on 21 different earthquake models, with the final model taking more than a month to compute.

“We’re looking at it on worst-case scenarios using the most advanced methods of our time to model and design it,” said Lee. “The building became much better in terms of performance and efficiency than a building designed to [standard] code. It’s a different challenge with a slender site.”

The tower’s superstructure is highlighted with reinforced concrete core walls, which have a lateral seismic-force-resisting system that consists of special ductile reinforced concrete core shear walls. Combined with the coupling beam construction extending from a pile and pile cap-supported deep foundation system to the penthouse roof at Level 26, there is a lot of excellent structural engineering to appreciate. 

The slender core wall depth running east-west is just over 33 feet, with core shear walls ranging from 24- to 30-inch thick with concrete compressive strengths of 8,000 psi. The shear wall core is interconnected with ductile reinforced coupling beams at doorway and corridor openings. 

Lee said the foundation includes an 11-foot deep matte foundation that sits on 363 24-inch diameter auger cast-in-place displacement piles drilled 110 feet into the ground. Huge outrigger grade beams help with transverse direction support that engage the core with perimeter columns at the basement level. 

“The reason the building is on a deeper pile foundation is so that it can support the loads,” said Lee. “It’s a very reliable structural system for Salt Lake.” 

“We had to tie the building down and include tension and compression piles,” said Tuite. “Because we have a thin building, we had to oversize the piles by three times. This is one of the most leading-edge seismic-resistant buildings in the world. In a seismic event, the top catwalk is designed to move over six feet and reset. There is more steel in the ground than in the building. Piles and pile caps have almost 50% more tonnage than the building.”

Tuite added that the introduction of the meetinghouse element required a higher code compliance level.

“It’s kind of ironic that if you have a public assembly space of over 300 [people], it actually pushes [the building] to a higher code criteria than having 3,000 office workers,” said Tuite. 

The building includes 5,700 tons of steel, which includes a 1,900-ton hat roof truss system. On level five, the cantilever levels hang over an adjacent structure, rising 19 floors to the top of the building. The hat truss system carries the weight of the entire structure and cantilevers over the building’s four sides. 


High Performance Glass/Curtain Wall System

The smoky-colored, all-glass curtain wall system is not only aesthetically pleasing but structurally resilient. 

Exterior curtain wall systems had several interesting components, including a four-ply curved, laminated glass system that spans from the lobby floor to the underside of level three. Panels are 10 feet by 28 feet with no perpendicular mullions—a stark contrast to 111 Main, which also has an equally high glass lobby but is backed by vertical glass mullions. 

“On this building, we were able to take advantage of the curved wall system and have the structural glass support itself,” said Lee. He said SOM collaborated with some of the best firms in the glazing and curtain wall, including Salt Lake-based subcontractor/installer Steel Encounters and structural façade engineers Eckersley O’Callaghan of New York City. 

Tuite said the glass curtain wall system was designed to incorporate maximum deflection without any loss of glass.

“As a long-hold owner, we do things like that,” said Tuite. “This building theoretically can deflect five to six feet and not lose any glass.”

Installation required a yeoman-like effort from crews from Steel Encounters, said Project Manager Chad Johnson, a 27-year veteran of the industry. 

“It’s just a huge accomplishment for the whole team,” said Johnson. “The uniqueness of the tower itself, with it being rounded corners all the way up makes it an amazing building. We had a lot of challenges, mainly just racing time. We dealt with Covid and still maintained our schedule. The field team did a phenomenal job dealing with what was in front of them. They were on the front lines, just trying to maintain the schedule. We had no time off and had to adjust on the fly with new protocols and procedures.”

The sheer size of the individual glass panels also was a major challenge for the firm. Johnson said the fact that the panels had vertical fin support was unique, and the first time has team has performed it in Utah. Each piece ranged from 4,000 lbs. to 7,800 lbs. with the heaviest pieces being the rounded corner panels on the lobby level. A special glass suction cup system designed by German-based Heavydrive included more than 100 cups to lift each panel via a hydro-crane. Johnson said his firm learned from its experience on 111 Main that a tower crane has too much bounce in the cable. 

“The building has some of the largest freestanding glass panels that we’ve used on any project in the world,” added Duncan. “The detail is very impressive.”


Lobby Highlighted by Italian White Marble 

One of the core design elements is the sleek white marble, supplied by Italian supplier and manufacturer Campolonhi from its Carrara quarry. Because of the pandemic, much of the stone selection occurred via video conferencing. Once the material was selected, a small team traveled to Italy to procure the stone. The design team used high-resolution photos to map the stone on 3D renderings with 2D elevations, creating a “virtual dry lay” of the walls and a set of rules of placement to guide the supplier. 

The final installation result had an unparalleled level of craftsmanship that belies the almost entirely virtual process. 

Jueschke said six large marble blocks were used with a tremendous final yield. Crews from Salt Lake-based Kepco+ had to perform almost perfectly, with the final result a testament to the firm’s skill and expertise. Kepco+ achieved 1/32 of an inch or better tolerances, a remarkable feat of precision. 

“There was no replacement piece if a piece was cut wrong or broken,” said Jueschke. “We had a whole set of protections in place with the handling and the installation, to the point that we were babying the stone. We got a big win with Kepco’s work.” 

The lobby also features a long, integral video screen that acts as an art piece, something that is dynamic and ever-changing. Duncan said “it extends the character of the lobby and makes the space a lot more active. Its movements work well with the curvature of the stone.”


The curved glass curtain wall system is one of the most distinctive, visual elements of the new high-rise and sets it apart from other buildings in downtown Salt Lake (photos courtesy SOM © Dave Burk)

Overall Teamwork Key to Successful Project

Compliments among the key players were effusive. Lewis praised Tuite for his expertise and ability to navigate tricky situations. 

“Sean is one of the smartest people I’ve ever met,” he said. “He understands construction, understands motivation, finance, and quality. I learned early on that taking his cues was beneficial. If he thought something was an issue, every time he was right. At the end of the job, I felt like we had a great relationship with Sean and CCRI.”

Jueschke also praised the design team for its efforts to design a building with a high level of constructability. The prior relationships developed on 111 Main made it seem like an extension of that project. 

“It was extremely beneficial having those relationships,” he said. “SOM is a fantastic architect and engineer. Having that behind us was beneficial to hitting the ground running and continuing those relationships. It’s no secret that there is a ‘grinding of gears’ between entities on a project of this magnitude, but we had those prior relationships to fall back on. Knowing what their design intent is was important—it’s not something you can communicate through documents. We all had expectations.” 

Sobel added, “It was a very collaborative process with the client and Okland, and that made for a great project. The best projects are the ones that everyone enjoys. In the end, everyone is super excited that we delivered what we hand in our mind’s eye from the beginning.” 



95 State at City Creek

Owner: City Creek Reserve, Inc.

Owner’s Rep: Sean Tuite

Developer: City Creek Reserve, Inc.


Size

Site Area: 32,085 SF

Project Area: 585,900 SF

Building Height: 395 ft.

Stories: 25


Design Team/Consultants

Architect: Skidmore, Owings & Merrill

Civil Engineer: Great Basin Engineering

Electrical Engineer: Syska Hennessy Group

Mechanical Engineer: Syska Hennessy Group

Structural Engineer: Skidmore, Ownings & Merrill

Geotechnical Engineer: Consolidated Engineering Laboratories

Landscape Design: MGB+A

Parking: International Parking Design

Fire Protection: Jensen Hughes

Lighting Design: Luma 

Door Hardware: Allegion

Vertical Transportation: EWCG

Wind: RWDI

Acoustics/AV/Security: Shen Milson & Wilke

MEP/Sustainability/Energy Modeling: Syska Hennessy Group

LEED/WELL Consultants: Zinner Consultants 


Construction Team

General Contractor: Okland Construction

Concrete: Okland Construction

Concrete Reinforcement: Harris Rebar 

Plumbing: Archer Mechanical

HVAC: Archer Mechanical; B2Air

Electrical: Hunt Electric

Masonry: IMS Masonry, Kepco+, RJ Masonry

Drywall/Acoustics: CSI Drywall, Inc.

Painting: Grow Painting

Tile/Stone: IMS Masonry; Kepco+; RJ Masonry, Metro

Carpentry: Boswell Wasatch

Flooring: Spectra, Kepco+

Roofing: Utah Tile & Roofing

Glass/Curtain Wall: Steel Encounters, Inc.

Waterproofing: Waterproofing West

Steel Fabrication & Erection: SME Steel

Excavation & Demolition: Jones Excavating

Landscaping: Intermountain Plantings

Robust Growth Fuels Lehi City's Development

By Brad Fullmer • 01 Mar, 2024
Adobe’s 680,000 SF Lehi Campus is an iconic project in Lehi that was completed in two phases, with the first phase opening at the beginning of 2013 and signaling a new era of development along the Silicon Slopes corridor. (photo by Dana Sohm) Inset: Aerial view showing an illustration of Texas Instruments’ new 300 mm semiconductor wafer manufacturing plant—referred to as “LFAB2”—which broke ground last November and marks the single largest investment (over $11 billion) in state history. (photo courtesy Texas Instruments)

Forging Ahead

By Brad Fullmer • 01 Mar, 2024
Work continues to grind forward on the mammoth new Salt Lake City Water Reclamation Facility (WRF)—a critical $850 million project being built by a joint venture of the Salt Lake regional offices of Sundt Construction and PCL Construction that will replace the current facility in North Salt Lake once it's turned over to SLC's Department of Utilities (SLCDPU) in July 2026. As it stands, this is the second-largest project in City history, trailing only the recent $2 billion-plus Salt Lake International Airport Redevelopment (Phases 3-4 ongoing), and one of the most technically challenging projects in the state. "We are up for the challenge every day—the magnitude of this thing is unreal," said Manny Diaz, Project Manager for Salt Lake-based Sundt, as he drove around the massive 30-acre site in late-January, a worksite teeming with 300 current employees (it will peak at 400 workers this summer) and myriad complicated structures being built simultaneously. Diaz is a long-time veteran of the water reclamation facility industry—this project marks plant No. 26 in his own personal history—and he was brought in a year ago by Sundt because of his expertise. When he arrived in Salt Lake at the beginning of last year, it was right smack dab in the middle of what proved to be a record-breaking year for snowfall. "It was quite a welcome to Utah!" Diaz chuckled. "We keep very close tabs on the weather." And while crews haven't been subjected to the same inclement weather this winter, site conditions are still generally wet and muddy, and the difficulties associated with building the various structures are constant. Crews are nearing the halfway mark, so certainly it's a milestone worth acknowledging, even though a mountain of construction is still left to climb. "It's such a huge accomplishment to be this far," said Jason Brown, Deputy Director of Public Utilities for SLC. "We've faced a lot of challenges, Covid, material shortages [...] it's amazing to be part of a team that works so well together. We still have a long way to go, but we'll get there. We've made a lot of progress and should be proud, but it's hard to celebrate success with so much work still ahead." Diaz, along with PCL Project Manager Shayne Waldron, said crews recently achieved a major milestone: one million hours worked, a notable accomplishment. “Achieving the ‘one million hours worked’ milestone is a testament to the coordination and collaboration required of a project this size," said Brown, adding that the new WRF project benefits from regular and ongoing staff collaboration, under the watch of Sundt/PCL, designers AECOM and Jacobs, and SLCDPU leadership. “This [milestone] is the culmination of many different efforts,” added Mauricio Ramos, District Manager for PCL’s Civil Infrastructure Division. “From local engineers to pipe layers, journeymen, construction trade workers, foremen, and general laborers, every team member has been instrumental in reaching this benchmark. The collaboration between PCL and Sundt has been a testament to our shared commitment to excellence and innovation.” "Our crews are working together seamlessly to ensure that the final product meets the goals and needs of the community," said Sam Reidy, Senior VP and District Manager for Sundt. "Celebrating this milestone recognizes the hard work and commitment each member of the project team has made to this project and the Sundt/PCL partnership." Diaz and Waldron said soil conditions challenged the team right out of the gate and took significant time to stabilize the site. "At the very beginning, the project was designed to be built on top of where the sludge beds were at, but it turns out the sludge beds were on shaky ground," said Diaz. "This whole area is young in age, so it's all soft clays and sands," added Waldron. "Soft clays are compressible, so the big issue is settling. It would have [cost] $80 million in piles to shore it up, and then in between buildings you have all the pipe and utility duct banks, so they would almost need to be built on piles." Waldron said the idea came up to pre-load the whole site, where crews built a flat pad, installed wick drains, then pre-loaded 30 ft. of dirt, with drains going down 125 feet and providing a way for water to be pushed out of the clay. "We had over seven feet of settlement," said Waldron. Crews also set up sophisticated monitoring equipment "to see where ground was settling and what layers were compressing the most. It was really scientific—a lot more than I've seen before." Diaz said it took six months to haul in the fill dirt where it remained in place for eight months, then took another six months to excavate out—close to one million yards of total material. It was an exhaustive process, with an average of 400 trucks per day and close to 500 trucks hauling 18,000 tons on the best day. Having a cohesive, highly collaborative team of designers and construction experts has been a boon to the project schedule. Once completed, Salt Lake City’s new WRF will serve over 200,000 residents as well as those who commute downtown to work or visit Utah's capital. It will replace the City’s current—and only—wastewater treatment facility, which is over 55 years old and near the end of its service life. Maintaining reliable operations at the existing facility while constructing the new WRF nearby has been critical for the project’s success. Since breaking ground in 2019, the project team has completed approximately 65% of structural concrete work as well as soil mitigation, deep foundation work, and the installation of underground utilities. In late January crews began excavating dual 63-in. diameter pipelines, along with a 78-in. effluent pipe that is being hauled one giant piece at a time from Canada, a new type of corrugated HDPE with welded joints that should provide greater durability. All in all, crews will ultimately pour 93,000 CY of concrete and install 22 million pounds of reinforcing steel, along with 89,000 LF of underground pipe ranging in diameter from 1.5-in. to 78-in. "The camaraderie among the team members allows for a very cohesive team," said Diaz. "The only way you can tell who works for who is by the color of the truck. We have a 'one project' mentality. The complexity of the job and being trusted to lead this effort [...] have been [important] for me. It's been a great job so far." Diaz, who said his first wastewater treatment plant was in North Miami Beach in the late 80s right after he graduated from college, hopes to remain in Utah once this job is completed and turned over to the client by mid-2026. “I plan on staying here and continue to work on treatment plants in Utah,” he said. “There’s a lot of work here. We have vast experience, and we have a lot of people who want to be in Utah—it’s a great place to live. Let’s do it!”

Let the Good Times Roll

By Brad Fullmer • 01 Mar, 2024
It's been more than 45 years (1978) since The Cars released their debut album highlighted by the wildly popular song Good Times Roll, but if there was ever a tune to sum up the general sentiment of local A/E/C professionals regarding Utah's 2024 Economic Outlook, Good Times Roll would be up there. "Our members are expecting another good year," said Joey Gilbert, President/CEO of the 650-member Associated General Contractors (AGC) of Utah. "For our contractors in both the building and highway markets, the outlook is good. Many still have decent backlogs to keep them busy through 2024 and in some cases, even 2025. The public sector is strong, and on the private side, owners are still investing in some big projects." Robert Spendlove, Chief Economist for Salt Lake-based Zions Bank, reported at the AGC's Economic Outlook meeting last November that commercial construction was up 1.6%, while Utah as a whole reported 2.5% growth overall, and believes both will continue to fare well in 2024. "Utah also has one of the lowest unemployment rates in the U.S. [2.5%]; when it gets too low, you get real struggles of labor shortages," he said. "It prevents companies from growing and is one of those defining economic characteristics of this past cycle. If we get above 4-5% we get nervous that it's a sign of a recessionary environment." Spendlove said tailwinds include strong consumer spending, a strong labor market, and an overall robust economic Intermountain West region, while headwinds could include a lack of new workers, government shutdowns, energy prices, and international uncertainty. Another bonus is that Utah remains one of the strongest states economically, regardless of what is happening nationally. "I would say uncomfortably optimistic," countered Dejan Eskic, Senior Research Fellow for the Kem Gardner Policy Institute at the University of Utah, citing a number of factors potentially slowing down the design and construction industry such as housing, labor, and material price fluctuations—basically the same post-Covid headwinds Utah-based firms have been battling the past couple of years. "On paper, we should have a decent economic year in Utah. Because it's an election year, it brings more optimism generally. Stock performance does better in an election year, jobs do better. You have to stick to those basics. Eskic has been with the Gardner Institute for eight years, including the past five in his current role, explained that some of the uncomfortableness facing the local economy stems from having virtually no labor pool in certain segments, including construction—which continues to face a dearth of skilled craftsmen in virtually all subcontractor trades. "We still have red flags," he said, noting concerns with still-high housing costs. "Maybe it's too early to call if we've cracked inflation. 2023 ended up way better than anybody expected—it was supposed to be a recession year, but the recession never came, and the labor market exceeded expectations. "I'm bullish on Utah," he added. "I look at the numbers and how we're going, and we're in a very strong growth pattern with the economy. Things will continue to expand." Indeed, despite nasty rising interest rates that put the brakes on some speculative development projects, Utah-based owners continued to plow ahead on projects, and by-and-large most market segments continued to see a healthy amount of activity as firms set about tackling healthy project backlogs.

Building Blocks

By Reuben Wright • 01 Mar, 2024
Crews working on bridge sections of the project did the majority of heavy-lifting—as seen with these giant cranes lifting heavy girders—during the wee hours of the night, part of UDOT’s expectations of keeping traffic moving by limiting road closures. (night photos by Kjell Gerber, BuildWitt)

Heart of a New City

By Brad Fullmer • 01 Mar, 2024
It's been a long time coming for elected officials and the citizens of Millcreek City, but their beloved $45 million, nearly 80,000 SF City Hall is finally complete, ending a lengthy five-year process that tested all parties involved but produced an awe-inspiring six-story building that will serve as the public heart of this rising community southeast of downtown Salt Lake. "It's awesome!" gushed Jeff Silvestrini, in reference to his view as he peered out across the Salt Lake Valley from his fourth-floor corner office, with captivating views via a complex glass curtain wall system highlighted with an intricate, highly functional screen shade. As the only mayor Millcreek City has known during its brief seven-year existence (it was incorporated Dec. 28, 2016), Silvestrini was recently re-elected for another four-year term (he ran unopposed) and has been a driving force behind this new project. "I could see this [view] was going to be amazing when I climbed up the crane when the concrete structure was going up. Standing on the exposed sixth floor before the curtain wall went up, I was humbled at this monumental undertaking for a new city. What we do as a city government is serve the people. We can serve the people much better in a facility like this." Unique Municipal Design Fosters Public Engagement with a "Downtown" Feel Millcreek City Hall builds upon the momentum created by the adjacent Millcreek Common to the east (opened in December 2022) to create an actual "Downtown" or "City Center" space at the bustling area of 3300 South between 1300 East and Highland Drive, which includes a host of exciting new nearby multi-family and mixed-use developments under construction. The project leverages a public-private partnership (PPP) with a local developer on an adjacent shared parking garage, along with the much-needed residential housing. Silvestrini said City leaders "did not contemplate putting City Hall here" initially, but public feedback made it clear residents wanted a downtown area to call their own. Millcreek Common—replete with an ice ribbon, splash pad, and room for food trucks—was planned as a public plaza space and has been wildly popular since its completion in late 2022. Residents also wanted City Hall to have real spaces for the public, not just a strictly-government facility, which provided exciting design opportunities for Salt Lake-based MHTN Architects, which initially worked with City officials in 2017-18 on a City Center Master Plan, which came about via a grant through the Wasatch Front Regional Council, according to Ryan Wallace, Principal-in-Charge for MHTN. "It's located roughly in the geographic center of the community and easily accessed by vehicle, transit, and active transportation—it's something that can unite the community," said Wallace. "The client has created four projects in one," aided by a vertical building mixed-use approach on the narrow footprint, a key to allowing optimum future adjacent development. "We realized early on that there was an opportunity to build a true civic center," added Silvestrini. "The more we thought about it, the more it made sense." The commitment to having a true community building is evident on the first floor, which includes a coffee house, a restaurant, and a flex public market with rotating businesses. "[City leaders] wanted an activating ground floor use that would support their idea of a downtown," said Wallace. "They didn't want City Hall to only be active 8-to-5 and then a dead zone at night." City officials and MHTN staff also drew inspiration on a tour of the new City Hall in Lenexa, Kansas, which includes adjacent common space and a ground floor retail/public market. "Everyone seemed to be thinking on the same wavelength," said Peggy McDonough, MHTN President who served as Project Executive on Millcreek City Hall. "We all felt like this was a completely unique project, unlike any other city hall that we've been a part of, and the second that has a market level. It's being looked at as an example of good development." While level 1 is sure to be a hit with Millcreek residents and visitors over time, levels 2 through 5 showcase the versatility and functionality of the project, with all essential government functions for Millcreek City, along with Unified Police and Community Emergency Response Team (CERT). Unified Police is housed on level 2 and utilizes a one-level sally port/private garage under the building (another bonus of the PPP parking garage). Millcreek City is housed on levels 3-5, with the top floor—level 6—serving as prime community space highlighted by the Grandview community room and its opulent Cross Laminated Timber (CLT) roof that evokes a natural warmth throughout the space.

AIA Utah 2024

By Fran Pruyn • 01 Mar, 2024
For the first time in its 103-year history, The Utah Chapter of the American Institute of Architects (AIA Utah) has a fully female executive leadership team. It wasn’t intentional, as Past-President Jessica Hoffman stated, “That is who stepped up.” And more importantly, these women have an aggressive plan for serving the entire, very diverse, association. "I'm very excited—we have a great team!" said Chamonix Larsen, Salt Lake City/Denver Department Manager for Morrison Hirschfield, who will serve as 2024 President. "They are all very passionate about what they do, and how architecture can make positive changes in our community." AIA Utah also has a new Executive Director, with Angie Harris Roberts coming on board last spring in a part-time role that transitioned to full-time in October. She is charged with overseeing industry legislation and streamlining AIA services such as providing standard contract documents, sponsoring educational events, and hosting conferences that communicate new design ideas, technologies, and initiatives. Larsen has targeted adding value to members and increasing public outreach scope as her focus for the upcoming year. One particularly exciting (and needed) project proposes a mentorship program that utilizes the talents of the AIA fellows and partnering organizations. The staff and board have applied for a grant and approached local firms for matching funds to build a long-term, multi-generational program, that assists mentees to achieve licensure faster and stay in the profession. Working through the Young Architects Forum and the American Institute of Architects Students, the program will enlist the talents of Utah AIA Fellows, the National Organization of Minority Architects, and Women in Architecture, connecting seasoned architects with emerging professionals. They will answer questions and give guidance and counsel on matters ranging beyond making design decisions and locating answers to technical questions, to how to craft career paths and find professional satisfaction. "We've been through some changes, and having a new executive director is exciting as well," added Larsen. "Coming out of the pandemic, it's been about reconnecting with everybody and improving our organizational excellence. It's important to me that we run as efficiently as possible, given that we rely on volunteers. We have an opportunity to dive into what firms need, and how we can better serve our members." Larsen addressed staffing, having access to quality talent, and attracting more skilled architects to the state as key topics. The outlook for Utah remains solid, she said, albeit with some tempered expectations in some markets (multi-family, industrial) which may see projects put on hold until interest rates soften. Utah's continued growth, steady economy, and the prospect of another Salt Lake Winter Olympics raises optimism for the foreseeable future. Leadership is also committed to helping sister organizations with programs aimed at stimulating interest in architecture from outside the industry and providing a pipeline of talent from a diversity of backgrounds into the industry. This includes encouraging programs in elementary schools to educate children about the role of architecture in a community, collaborating on youth mentoring events, and fostering NOMA’s effort to bring architects from underrepresented groups into the College of Fellows. 2024 AIA Utah Leadership President – Chamonix Larsen, AIA is an experienced architect with a diverse professional background with 20+ years of experience including building envelope consulting, architectural design, technical design lead, project management, owner’s representative, and commissioning authority. She joined Morrison Hershfield’s Building Science Division in 2017 and manages building envelope consulting teams in Salt Lake and Denver. While at the State of Utah, Larsen oversaw the development and implementation of the DFCM's High Performance Building Standard and state-wide operational sustainability efforts. She is also an adjunct professor at the University of Utah College of Architecture and Planning. President Elect – Whitney Ward, AIA, LEED AP is a Principal at Salt Lake-based VCBO Architecture and has been with the firm since 2007. Ward embraces a holistic design approach and is an advocate for both community engagement and sustainable design. She also teaches Sustainable Development as an Adjunct Professor with the University of Utah City and Metropolitan Planning Department. Secretary – Natalie Shutts-Bank, AIA, RIBA is an experienced architect who thrives when navigating between the vastness of all creative possibilities and the real-world constraints of any design problem. She has worked multiple design typologies at a range of scales on higher education, civic, hospitality, healthcare, and large-scale residential projects. Treasurer – Libby Haslam, AIA, RIBA, LEED AP, NCARB is the founder of Studio Long Playing, an architectural firm that practices many typologies of spaces. The firm’s current focus is on higher education. Studio LP is also engaged in restaurant design and residential work, with the intent for collaboration with different artisans and art forms. She has been teaching studio as an Associate Professor (career-line) at the University of Utah School of Architecture since graduating from the U in 2001For the first time in its 103-year history, The Utah Chapter of the American Institute of Architects (AIA Utah) has a fully female executive leadership team. It wasn’t intentional, as Past-President Jessica Hoffman stated, “That is who stepped up.” And more importantly, these women have an aggressive plan for serving the entire, very diverse, association. "I'm very excited—we have a great team!" said Chamonix Larsen, Salt Lake City/Denver Department Manager for Morrison Hirschfield, who will serve as 2024 President. "They are all very passionate about what they do, and how architecture can make positive changes in our community."

CFC Supply 25th Anniversary

By LADD MARSHALL • 30 Nov, 2023
(left to right) Gene and Sue Larsen, their son Blake, and his wife, JaLynn, at the CFC Supply Christmas Party, made extra special this year with the firm’s 25th anniversary. (photos courtesy CFC)

The Real Business Never Changes

By Taylor Larsen • 30 Nov, 2023

UMC Announces 2023 Excellence in Masonry Awards

By Brad Fullmer • 30 Nov, 2023
Commercial Project--Honor 95 State at City Creek

High-tech Hexcel-lence

By B. H. Wright • 30 Nov, 2023
The days of the commercial industrial market consisting primarily of boring, staid (read: ugly) warehouse and manufacturing buildings are long gone, as employee-conscious corporations and forward-thinking real estate developers have been realizing the value of housing employees in spaces that sizzle with stylish interior designs with loads of on-site amenities. Hexcel Corporation did just that with the design of its most significant recent project in West Valley City, a $34 million, 105,000-SF facility dubbed the Center of Research & Technology Excellence, which includes the largest high-performance carbon fiber manufacturing plant in the world, along with housing Hexcel's aerospace matrix operations. The center is "designed to encourage and inspire our team to dream big and ensure that our customers are awarded the strongest, lightest weight, most durable advanced composites that the world has ever seen," said Nick Stanage, Hexcel Chairman, CEO and President. He said that when the Center opens, “you will be surrounded by everything it means to be a leader in advanced composites technology. You will see high-tech labs and cutting-edge research and testing equipment. Our lobby will showcase advancements and innovations that are propelling the future in commercial aerospace, space and defense, and industrial markets.” Sharp aesthetics and providing optimum working conditions are a must for employers in a market with a current state unemployment average hovering just over 2% and in a society where the workforce is increasingly opting to work remote (at home) either full-time, or with a hybrid/flex schedule. The primary objective of the facility is to serve as a catalyst for research and development in advanced composite technology, with a specific focus on aerospace, space, defense, and industrial applications. According to Mike Phillips, VP of Project Development at R&O Construction's Salt Lake office, the fast-track design-build seamlessly blended a tilt-up laboratory with a two-story Class A office building, illustrating the owner's attention to high quality and optimum design. "The entire team was focused on schedule and cost throughout the process, while meeting owner's requirements and needs. It was a very successful project." The facility's design transcends conventional manufacturing and research spaces. Instead of a stark separation between these functions, the building integrates both—fostering an environment where scientists and production personnel can collaborate seamlessly. This approach underscores Hexcel's commitment to innovation and how diverse functions can coexist within the same space. One of the project's most noteworthy contributions lies in its commitment to sustainability. Hexcel actively recycles carbon fiber prepreg composite cutoffs to produce composite panels that find applications in commercial markets. By upcycling and repurposing materials, the project demonstrates a forward-thinking approach to resource utilization and waste reduction. In a resourceful move, the tilt panels were utilized as the crane path to avoid potential soil issues. This approach was executed after thorough consultation with engineers, resulting in a seamless process with all panels standing within a short timeframe, without any compromise to structural integrity or aesthetic appeal. Exterior Trespa panels were strategically oriented to create a dynamic carbon checkerboard pattern, aligning with the aesthetic of Hexcel's innovative products. This deliberate choice not only showcases a visually striking design element but also reflects the company's commitment to excellence in composite materials. Tilt-up panels underwent a meticulous sandblasting process to enhance their carbon-like appearance. This technique, applied after curing and installation, contributes to the overall visual effect and reinforces the project's dedication to craftsmanship.
More Posts
Share by: