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Concrete Future

Jacobsen Construction began running out of room in their corporate headquarters in West Valley City over five years ago. People were in triple-wide trailers in the parking lot, while others, President and CEO Gary Ellis said, were in the building, one colloquially known as “the maze” because of its labyrinthine offices and areas.

It was at that point that Ellis and former CEO Doug Welling said, “It’s time.” 

The time, specifically, to move into a space befitting one of the biggest contractors in Utah. “We want to be in the talk as the best contractor around, and we felt like [a new headquarters] would be important for our future,” said Ellis. “Where we could plant a flag here for the next hundred years.”
Settling on Location and Design

With buildings and development expanding westward, the Jacobsen building committee felt that the opportunity to be a part of that growth was too good to pass up. Now, their headquarters resides in Salt Lake City just west of the airport in the International Center.

Inspiration for the Jacobsen Corporate Office came from the Life Sciences Building at Utah State University, another Jacobsen/VCBO Architecture collaboration. Burke mentioned the metal paneling, extensive glazing, and GFRC on the exterior were choices that came about from UC&D’s 2019 Most Outstanding Higher Education Project.

Payne was complimentary of Burke and the team’s effort to bring design choices to life—specifically regarding the constructibility of the GFRC façade. 

“They found this way to look at the material and make it other-worldly,” he said, pointing out the process of treating the GFRC like brick—bringing about the lovely cream colors that blend so well with the dark metal panelling and concrete touches on the exterior.

The themes present in the building center around light and collaboration. The three levels, according to Payne, “was a better way to communicate [than single-story]. You can get everywhere [in the building] very quickly. The whole idea of the central stair […] was a key to collaboration.”

Efficiency and economy in both cost of the building and in movement were a great starting point to meet the company’s goals for a collaborative space.

Meeting the Scope

In internal documents, the company looked to construct a building that effectively and invitingly portrays the Jacobson experience and the Jacobson culture to both employees and visitors.

That goal is visible immediately upon entry, with the company’s expansive lobby projecting not just depth of expertise in the concrete forms throughout the lobby. Wooden risers and steel beams support the staircase and provide more visual nods to the contractors expertise as visitors and employees climb to the second and third floors. 

“Everything is compartmentalized,” Burke said. He and the other workers who shift between field and office can chat with their fellow project managers and project executives. Accounting, HR, IT, and estimating (with their unique, “War Room” table and less unique but still combative ping-pong table) have their own dedicated spaces that accommodate both present and future needs.

The space currently holds the 120 employees who regularly pop into the office, with Ellis mentioning that the space has plenty of room for growth. Training rooms downstairs can fit up to 200 people—craft workers for a safety training or the whole office for a company-wide meeting—and it isn’t just for Jacobsen employees, either. 

“We want clients to come and use our space,” said Ellis. Whether that is architects coming in for an off-site meeting, engineers looking to strategize for the future, or even groups like ULI, who have used the space already, Ellis said, “We want the industry to come in.”

Showstopper

What they will see is a testament to the firm’s quality, especially in concrete. Burke suggested putting reveals in the forms to help keep the visual consistency of the concrete. It’s just one part of the “showpiece” of Jacobsen’s self-performed concrete work.

“Jacobsen made this their headquarters for life,” said Payne as he spoke of the bones of the building. Eighteen inches was their prescribed thickness for the concrete walls, according to those interviewed, but that would only be decided after Burke and others watched all their work potentially dashed in the 2020 earthquake.

“Watching those walls flap around in the air was unnerving at best,” said Burke with a grimacing smile. “We had poured and stripped our first lift of [walls] when the earthquake hit. Watching them sway four to six inches” had him and others fearful that all that work would be for naught.

But the structure stood firm, and 15-foot lift after 15-foot lift after 15-foot lift got tied into the structure to bring it up to its three-story height: 2,550 cubic yards of concrete. A mark of pride for Burke is the quantity of 90-degree angles on the various concrete forms, but the showpiece of all of that concrete is the chosen angle for the exterior that faces the lake. 

It’s 30-degrees, the corner rising from ground level up three stories—an impressive feat. “It’s a sharp corner,” said Burke, marveling at the work. “It would split something up like a melon.”

The quality in concrete construction was a high point for Burke, but his favorite feature is the ground-level boardroom. While concrete is also prominent there, the views through the exterior glazing, dimmable interior glazing, the wooden panelling on the ceiling, and the art present there make it a comfortable space to make the big decisions.

Interior Charm

“There are objects, and then there is atmosphere,” said Payne of that main boardroom’s massive table. It’s a favorite part of the building for him. Payne explained that he drew inspiration from a Viking ship, an ode to Jacobsen’s Danish history. With the scenic lake nearby, “[the table] was meant to be this ship that is going toward the lake—like it’s seaworthy.” The atmosphere that brings together the space is simple grandeur.

The interior maintains the company’s goal of vibrancy. No boring board rooms or stuffy offices here, but 18 collaboration spaces join the various individual offices that nestle on the exterior walls. Each office has enough glazing to make that visual theme pop.

Sloped ceilings near the glazing shower the entire office area in sunlight. Jacobsen and VCBO also incorporated “neighborhood” concepts outside of the offices and work areas for the informal meetings, the all-important “meeting after.” These spaces have construction’s version of coffee table books, Walker’s Building Estimator’s Reference Book, but, more importantly, they have the the subtle nods to Jacobsen’s roots as a construction firm.

“It’s almost like a whisper,” said Amy Christensen, Executive Vice President, Corporate Communications & Brand Marketing for Jacobsen. “You want the whisper between the utility and sense of meaning.”

And those whispers are heard throughout the space. Whether via the self-performed concrete, the steel beams that double as bookcases in the neighborhoods, or the wood paneling on the ceilings, the execution perfectly straddles the balance of utility and aesthetics.

Employees, Tenants, Owners

As an employee-owned company, one accountant came up with a type of suggestion board “Wish List” with many different ideas to help the building committee. Some of the suggestions were comical, like the pinball machine, while others were universally praised and incorporated, like “The Grand America” bathroom concept, where stalls and bathrooms would be totally private and no one needed to check out the shoes of the person the next stall over.

But other choices had folks drawing battle lines. Some wanted open office, others felt like their work would deteriorate in noisy conditions. The solution, according to Ellis, was, “Turning to department heads to figure out what works best for them.” And figure it out they did by allowing each to find the perfect balance. “Accounting services are a more social group and wanted the open concept […] [while] virtual design and construction wanted the ability to shut the door.”

With lots of interior glazing to complement the daylighting shining through the 83 windows, transparency, openness, and the vibrancy of a bustling office are on full display.

Speaking of displays, the “J-Hub” helps to blend office and field work on a massive touch-screen near the company’s lovely self-service café. It’s part internal communication tool, part recruiting tool, full unifier of purpose. “We use it for all kinds of things,” said Christensen. She was excited about how that sentiment in the J-Hub reverberated throughout the building. 

Artistic Reminders

Other, more traditional art pieces adorn the building, too. Jacobsen Construction chose four individual art installations and two photo galleries to add additional energy to the interior, with help from design and branding professionals at Struck. 

Some serve as a rendition of work the Jacobsen does, with two pieces using reclaimed wood from the company warehouse and yard. Others serve as more abstract visions of the company’s mission and connectivity to the greater community.

“We took a hard look at ourself and asked, ‘How do we translate a legacy of 100 years, where we want to go in the future, and have it resonate with employee ownership culture?’” said Christensen.

That translation comes in every piece, specifically via the photo galleries. One, “Hard Work” celebrates the many hands that have built the company up for nearly a century—that’s the “how.” 

Ellis gestured toward the other, “Built for Life,” during the interview. 

“This is ‘why’ we do it,” he said.

The gallery is a reminder of the importance of these buildings for the people who inhabit them: expecting mothers at the hospital, worshipers at a church, students at school, employees at an office. It’s a lesson that wasn’t lost on Burke as he led the building efforts during construction.

“Every building we build has its challenges. As contractors, we walk away and say, ‘Oh, I made it through that one.’” He said. “But being able to enjoy the finished product […] has been my favorite part of this project.”

Does he get a lot of high fives? “Yes,” Burke smiled. “I get a lot of people telling me ‘You did a good job. It’s a beautiful building.’ A lot of people are really happy about it and happy about their new home.”

Legacy and Future

The weight isn’t lost on Payne either, who spoke to the work done by the entire building committee as they moved the project forward. 

“Best voicemail I ever got was from Dennis Cigana,” he said of one of his favorite memories of the entire project. “I’ve never heard someone say [what he said] about a building. He told me, ‘You got us everything we wanted out of the building.’ He and [Jacobsen Construction] were such a joy to work with.”

At the ribbon-cutting, Cigana, Chief Development Officer for Jacobsen, stood next to Ted Jacobsen, former owner of the company. Ellis recalled the conversation with Jacobsen saying, “What have you done?” with a wry smile.

The comment may have been in jest, but he heard Cigana say, “Ted, this is what you have done.” He credited Jacobsen for charting the company toward its present course. 

So where is Jacobsen Construction now? It’s one of the top general contractors in the state, now with a building that fits the brand of which Christensen spoke so highly. It’s a building that represents the strength and stability of the company. 

“We’re not going anywhere,” concluded Ellis. “We’re here to stay and to do great things.”

Jacobsen Construction Company Headquarters

Location: 5181 W Amelia Earhart Dr, Salt Lake City, UT 84116
Square Feet: 58,836 SF

Design Team

Architect: VCBO Architecture
Civil: Meridian Engineering
Electrical: Envision Engineering
Mechanical: Colvin Engineering
Structural: Reaveley Engineers
Geotech: GSH Geotechnical, Inc.
Landscape: ArcSitio Design
Artwork: Struck

Construction Team

General Contractor: Jacobsen Construction
Concrete: Jacobsen Construction/Gene Peterson
Plumbing/HVAC: CCI Mechanical
Electrical: Hunt Electric
GFRC: Allen’s Masonry
Framing/Drywall: Pete King Construction
Painting: Pete King Commercial
Acoustics: K&L Acoustics
Millwork: Boswell Wasatch
Carpet: JCC Flooring Division
Polished Concrete Floor: Stone Touch
Roofing: Utah Tile and Roofing
Glass/Curtain Wall: Steel Encounters
Interior Glazing: Midwest D-Vision Solutions
FF&E: Midwest Commercial Interiors
Waterproofing: Guaranteed Waterproofing
Steel Fabrication/Erection: JT Steel
Site Utilities/Asphalt: Morgan Asphalt
By Brad Fullmer 01 Apr, 2024
It's not every day that an architect designs a project around a native flower, then again, the new Career and Technical Education (CTE) High School in St. George is far from your standard K-12 school. "Essentially, we patterned the floor plan around the Bear Claw Poppy," said Bryan Dyer, Director of Facilities for Washington County School District (WCSD), and one of the primary designers of CTE from 2018-20 while at St. George-based NWL Architects prior to joining the District. "The courtyard is the center of the poppy; the rooms represent flower petals. I think it turned out nice—the courtyard is heavily used and is a unique part of the project. The school board tasked us to do something unique to the District—it's the only building of its kind in the state where students have educational and vocational all in one." "It was kind of a philosophical departure for the District—they recognized the need to pick up the students that fall into a category of not being traditional students—they wanted something different and arrived at the need for a career and technical emphasis," added Terrance White, Principal-in-Charge for NWL. As the first standalone career and technical education facility in Utah, the revolutionary $29.6 million, 126,000 SF school offers eight pathways for the nearly 500 students enrolled at the school (capacity is 800), including: business, construction, culinary arts, engineering, education, graphic design, health science, and information technology. The two-level design prioritizes functionality, creating a dynamic environment where students can explore their chosen fields with purpose and passion. WCSD officials and architects from NWL were inspired by similar CTE schools they toured in Houston and Las Vegas and were able to successfully translate the vision inspired by those schools into a tangible space that fosters true collaboration between students and sets a new standard for a career-focused educational platform. "We toured a school in Houston [...] and recognized the architecture of that building took on more of a junior college feel—it felt like it was something more than a high school but not quite a university," said White. "It's great to see a school district recognize where they can take better care of their students."
By Brad Fullmer 01 Apr, 2024
It's been more than three decades—1993, to be exact—since the non-profit U.S. Green Building Council (USGBC) was co-founded by S. Richard (Rick) Fedrizzi, David Gottfried, and Michael Italiano, which ultimately spawned the revolutionary Leadership in Energy and Environmental Design (LEED) in 1998, a points-based rating system that offered legitimate third-party verification of green buildings. The goal of the fledgling association was simple: Increase overall sustainability of new construction projects including improved energy efficiency and creating a better, healthier environment for building occupants—all with the goal of reducing construction's carbon footprint. At the time, it was considered a bold initiative, with significant potential real-world benefits to the A/E/C industry. It took several years for the LEED initiative to get off the ground, but by the turn of the 21st Century, the phenomenon started taking root in the design community. "When LEED began in the late 90s/early 2000s, it was an incredible ambition to transform the building industry and to bring sustainability into the conversation," said Whitney Ward, Principal with Salt Lake-based VCBO Architecture and one of the firm's leading sustainable design experts. "[USGBC] had some big hurdles to overcome, including a general lack of knowledge about or mistrust of global warming and climate change." Ward said the U.S. Green Building Council and the LEED rating system had an immediate and profound effect on: —Creating more transparency in material manufacturing and getting manufacturers to care more about developing more sustainable/greener materials (carpet, flooring, paint, textiles, etc.) —Highlighting the true value of sustainable buildings through "incredible marketing efforts" and spurring owner demand. —Becoming the "go-to" third party certification agency for sustainable buildings. "The environmental consciousness of designers, builders, and owners [...] has really evolved to (where we say) 'we're going to do the best we can'," said Ward. "LEED has been an incredible tool in reshaping the industry and helping manufacturers, contractors, architects, and other industry partners understand the impact that their decisions have on the environment and on energy use," said Peter McBride, Principal with Salt Lake-based Architectural Nexus. "The conversation 20-30 years ago used to be 'how much does this cost?' or 'what is the percent increase cost in doing (LEED) vs. the baseline?' As each version of LEED established itself as an industry standard, the answer has been that LEED Certified or LEED Silver costs no more—or slightly more—than a baseline design. With each subsequent version release, LEED continues to push the boundary—sustainable design is now the baseline." "LEED has increased awareness for sustainability and energy conservation in buildings," added Chris Cox, Building Performance Program Manager for the State of Utah Division of Facilities Construction and Management (DFCM). "As far as the biggest pro, LEED brought the integrated design process to the forefront—user groups, owners, maintenance teams, architects, engineers, and builders work together in achieving the best outcomes."
By Brad Fullmer 01 Apr, 2024
UC+D: How was it working with Gary Payne for so many years? Turner: His impact on the Davis School District will last many years due to the buildings that were constructed during his time. Rather than being satisfied with the status quo, we worked to develop school buildings that would accommodate innovate teaching styles and would be safe, economical, and exciting places where children would want to be. UC+D : It's been 10 years since Odyssey Elementary was completed. What is the analysis of how it has performed? Turner: It is not very hard to create a truly Net-Zero building. We can produce enough electricity to offset the electricity used, plus the natural gas usage—however, the power company will not give us credit for electricity generated above what we use. An energy model was used to estimate the Energy Use Index (EUI) of Odyssey Elementary. It predicted that our EUI would be 22. The first year it was actually 17. An ideal Net-Zero building would not have any natural gas usage. We elected to install a gas boiler in the building to help control the "demand" charges that would occur on cold days when all the heat pumps would start up in the building. For 2023, the PV array produced 213,066 kWh; we used 188,088 kWh in electricity. We used 421 decatherms of gas, giving us a cost of $0.33/sf for energy usage, compared to an average building in the district (about $1.25/sf). UC+D: What is the greatest success with Odyssey? What would you do differently? Turner: Odyssey Elementary, with all its energy-efficient features, provides an excellent educational experience that benefits both teachers and students. The building accommodates different learning styles, collaboration, and individual exploration. First and foremost, the building is a school, albeit one that is very maintainable. There is not anything I would do differently. Since this was the first of a series of prototypes, a lot of thought from a lot of people was put into it.
By Talia Wolfe 01 Apr, 2024
Before the Logan Library ribbon-cutting ceremony began, two children eagerly ran past the staff toward the children's section. Inside the children's area, two girls, with their arms linked, skipped past the shelves of books while a little boy raced along the cobblestone path that weaves through the bookshelves. A young girl in the reading nook called her mom over to see, and a little girl with pigtails used the miniature-sized door into the children's section to enter the playhouse. The ribbon-cutting began in the lobby and adjacent community room, which were filled with patrons of all ages despite the stormy weather outside. As they entered, a string quartet greeted people with lovely music, and cameras lined the walls for press coverage; even the local firefighters came to show their support. Before the library's opening, Mayor Holly Daines shared how the facility was designed and built with modern and historical intentions. The mayor and various library donors spoke excitedly about the new library before the giant scissors were used to cut the ribbon. Immediately after, patrons with arms full of books were perusing the bookshelves. Children read in the aisle, too excited to move to a table, while parents formed a line waiting to check out books for the family. Quiet laughter emanated from the "teen and tween" section, and Utah State University and the Logan Latter-day Saint Temple are visible from the third-floor windows. From 1985 to 2021, the previous library was in an old and converted Sears building. For the last 20 years, Logan City leaders have discussed providing residents with a modern library. "The library was old and dark, and the systems were failing. It never was a purpose-built library," said Daines.
By LADD MARSHALL 01 Apr, 2024
Since its inception more than a century ago in 1922, Primary Children's Hospital has set a standard for pediatric healthcare excellence by continuing to produce world-class facilities throughout the Beehive State. The latest cutting-edge offering is the Intermountain Primary Children's Hospital, Larry H. & Gail Miller Family Campus in Lehi (PCH Lehi), a project of significant importance to this burgeoning city, one that ranks among Utah's fastest-growing communities. Aided by a $50 million gift from the Miller Family Foundation, this landmark five-story, 486,000 SF, 66-bed project features the latest and greatest in medical technology in a building that is fun, playful, and energetic, with colorful design elements playing a vital aesthetic role throughout. The value of a project on this level is beyond measure, said Blake Court, Vice President of Salt Lake-based Jacobsen Construction. "Primary Children's really has a special place in my heart—they are a very special entity," said Court, a veteran healthcare professional with nearly 35 years of overall experience, including 19 years at Jacobsen along with stints at the State of Utah Division of Facilities Construction and Management and the Department of Veteran's Affairs. "It has been embraced by the community. Lehi and the surrounding areas are growing so fast. It's just amazing to see what's going on there." "It's a once-in-a-lifetime project," said Jeff Pinegar, Principal with Salt Lake-based VCBO Architecture, who partnered with Page Southerland Page of Houston on an exhaustive 19-month detailed planning and design process to create a comprehensive hospital and clinic in one congruous structure. "To see these kids have the spirit they have [...] it's a life-changing project. I'm so glad I had the chance to be part of it. I love the challenge of healthcare." As with most construction projects that originated during the pandemic, PCH Lehi kicked off in August 2020, which proved immensely challenging from the onset in regard to worker health and volatility of material cost and availability. "Everyone knows the story—people got sick, it spread to co-workers, and we would lose entire crews [of subcontractors]," said Court. "We would constantly be down manpower. And then [material] lead times just skyrocketed. Materials that we normally get off the shelf went to a year-and-a-half overnight because manufacturing plants were shutting down. Add in price escalations and it was just a trifecta."
By Brad Fullmer 01 Apr, 2024
At an age when most folks are kicking off their post-retirement "golden years", 66-year-old Cal Wadsworth is attacking this chapter of his life with the zest of a man reborn, having fired back up his general contractor firm in 2020 with a vision of eventually turning it over to the next generation. It speaks to his resolve as a businessman and construction lifer, as a parent who wants to do right by his children, but even more as a person who has rallied/is rallying back from a challenging period personally, which coincided with the great recession and led to him shuttering Cal Wadsworth Construction in 2010. "I'm realizing more with time that I'm not in control as much I thought," said Wadsworth. "There is the realization that you've got to give up control. You can't base all your happiness on the money that comes from this business. Learning to live with disappointments is something I'm getting better at. Learning to live with them and not let them ruin my confidence, or my ambition. I live by the 'Serenity Prayer'."
By Brad Fullmer 01 Mar, 2024
Adobe’s 680,000 SF Lehi Campus is an iconic project in Lehi that was completed in two phases, with the first phase opening at the beginning of 2013 and signaling a new era of development along the Silicon Slopes corridor. (photo by Dana Sohm) Inset: Aerial view showing an illustration of Texas Instruments’ new 300 mm semiconductor wafer manufacturing plant—referred to as “LFAB2”—which broke ground last November and marks the single largest investment (over $11 billion) in state history. (photo courtesy Texas Instruments)
By Brad Fullmer 01 Mar, 2024
Work continues to grind forward on the mammoth new Salt Lake City Water Reclamation Facility (WRF)—a critical $850 million project being built by a joint venture of the Salt Lake regional offices of Sundt Construction and PCL Construction that will replace the current facility in North Salt Lake once it's turned over to SLC's Department of Utilities (SLCDPU) in July 2026. As it stands, this is the second-largest project in City history, trailing only the recent $2 billion-plus Salt Lake International Airport Redevelopment (Phases 3-4 ongoing), and one of the most technically challenging projects in the state. "We are up for the challenge every day—the magnitude of this thing is unreal," said Manny Diaz, Project Manager for Salt Lake-based Sundt, as he drove around the massive 30-acre site in late-January, a worksite teeming with 300 current employees (it will peak at 400 workers this summer) and myriad complicated structures being built simultaneously. Diaz is a long-time veteran of the water reclamation facility industry—this project marks plant No. 26 in his own personal history—and he was brought in a year ago by Sundt because of his expertise. When he arrived in Salt Lake at the beginning of last year, it was right smack dab in the middle of what proved to be a record-breaking year for snowfall. "It was quite a welcome to Utah!" Diaz chuckled. "We keep very close tabs on the weather." And while crews haven't been subjected to the same inclement weather this winter, site conditions are still generally wet and muddy, and the difficulties associated with building the various structures are constant. Crews are nearing the halfway mark, so certainly it's a milestone worth acknowledging, even though a mountain of construction is still left to climb. "It's such a huge accomplishment to be this far," said Jason Brown, Deputy Director of Public Utilities for SLC. "We've faced a lot of challenges, Covid, material shortages [...] it's amazing to be part of a team that works so well together. We still have a long way to go, but we'll get there. We've made a lot of progress and should be proud, but it's hard to celebrate success with so much work still ahead." Diaz, along with PCL Project Manager Shayne Waldron, said crews recently achieved a major milestone: one million hours worked, a notable accomplishment. “Achieving the ‘one million hours worked’ milestone is a testament to the coordination and collaboration required of a project this size," said Brown, adding that the new WRF project benefits from regular and ongoing staff collaboration, under the watch of Sundt/PCL, designers AECOM and Jacobs, and SLCDPU leadership. “This [milestone] is the culmination of many different efforts,” added Mauricio Ramos, District Manager for PCL’s Civil Infrastructure Division. “From local engineers to pipe layers, journeymen, construction trade workers, foremen, and general laborers, every team member has been instrumental in reaching this benchmark. The collaboration between PCL and Sundt has been a testament to our shared commitment to excellence and innovation.” "Our crews are working together seamlessly to ensure that the final product meets the goals and needs of the community," said Sam Reidy, Senior VP and District Manager for Sundt. "Celebrating this milestone recognizes the hard work and commitment each member of the project team has made to this project and the Sundt/PCL partnership." Diaz and Waldron said soil conditions challenged the team right out of the gate and took significant time to stabilize the site. "At the very beginning, the project was designed to be built on top of where the sludge beds were at, but it turns out the sludge beds were on shaky ground," said Diaz. "This whole area is young in age, so it's all soft clays and sands," added Waldron. "Soft clays are compressible, so the big issue is settling. It would have [cost] $80 million in piles to shore it up, and then in between buildings you have all the pipe and utility duct banks, so they would almost need to be built on piles." Waldron said the idea came up to pre-load the whole site, where crews built a flat pad, installed wick drains, then pre-loaded 30 ft. of dirt, with drains going down 125 feet and providing a way for water to be pushed out of the clay. "We had over seven feet of settlement," said Waldron. Crews also set up sophisticated monitoring equipment "to see where ground was settling and what layers were compressing the most. It was really scientific—a lot more than I've seen before." Diaz said it took six months to haul in the fill dirt where it remained in place for eight months, then took another six months to excavate out—close to one million yards of total material. It was an exhaustive process, with an average of 400 trucks per day and close to 500 trucks hauling 18,000 tons on the best day. Having a cohesive, highly collaborative team of designers and construction experts has been a boon to the project schedule. Once completed, Salt Lake City’s new WRF will serve over 200,000 residents as well as those who commute downtown to work or visit Utah's capital. It will replace the City’s current—and only—wastewater treatment facility, which is over 55 years old and near the end of its service life. Maintaining reliable operations at the existing facility while constructing the new WRF nearby has been critical for the project’s success. Since breaking ground in 2019, the project team has completed approximately 65% of structural concrete work as well as soil mitigation, deep foundation work, and the installation of underground utilities. In late January crews began excavating dual 63-in. diameter pipelines, along with a 78-in. effluent pipe that is being hauled one giant piece at a time from Canada, a new type of corrugated HDPE with welded joints that should provide greater durability. All in all, crews will ultimately pour 93,000 CY of concrete and install 22 million pounds of reinforcing steel, along with 89,000 LF of underground pipe ranging in diameter from 1.5-in. to 78-in. "The camaraderie among the team members allows for a very cohesive team," said Diaz. "The only way you can tell who works for who is by the color of the truck. We have a 'one project' mentality. The complexity of the job and being trusted to lead this effort [...] have been [important] for me. It's been a great job so far." Diaz, who said his first wastewater treatment plant was in North Miami Beach in the late 80s right after he graduated from college, hopes to remain in Utah once this job is completed and turned over to the client by mid-2026. “I plan on staying here and continue to work on treatment plants in Utah,” he said. “There’s a lot of work here. We have vast experience, and we have a lot of people who want to be in Utah—it’s a great place to live. Let’s do it!”
By Brad Fullmer 01 Mar, 2024
It's been more than 45 years (1978) since The Cars released their debut album highlighted by the wildly popular song Good Times Roll, but if there was ever a tune to sum up the general sentiment of local A/E/C professionals regarding Utah's 2024 Economic Outlook, Good Times Roll would be up there. "Our members are expecting another good year," said Joey Gilbert, President/CEO of the 650-member Associated General Contractors (AGC) of Utah. "For our contractors in both the building and highway markets, the outlook is good. Many still have decent backlogs to keep them busy through 2024 and in some cases, even 2025. The public sector is strong, and on the private side, owners are still investing in some big projects." Robert Spendlove, Chief Economist for Salt Lake-based Zions Bank, reported at the AGC's Economic Outlook meeting last November that commercial construction was up 1.6%, while Utah as a whole reported 2.5% growth overall, and believes both will continue to fare well in 2024. "Utah also has one of the lowest unemployment rates in the U.S. [2.5%]; when it gets too low, you get real struggles of labor shortages," he said. "It prevents companies from growing and is one of those defining economic characteristics of this past cycle. If we get above 4-5% we get nervous that it's a sign of a recessionary environment." Spendlove said tailwinds include strong consumer spending, a strong labor market, and an overall robust economic Intermountain West region, while headwinds could include a lack of new workers, government shutdowns, energy prices, and international uncertainty. Another bonus is that Utah remains one of the strongest states economically, regardless of what is happening nationally. "I would say uncomfortably optimistic," countered Dejan Eskic, Senior Research Fellow for the Kem Gardner Policy Institute at the University of Utah, citing a number of factors potentially slowing down the design and construction industry such as housing, labor, and material price fluctuations—basically the same post-Covid headwinds Utah-based firms have been battling the past couple of years. "On paper, we should have a decent economic year in Utah. Because it's an election year, it brings more optimism generally. Stock performance does better in an election year, jobs do better. You have to stick to those basics. Eskic has been with the Gardner Institute for eight years, including the past five in his current role, explained that some of the uncomfortableness facing the local economy stems from having virtually no labor pool in certain segments, including construction—which continues to face a dearth of skilled craftsmen in virtually all subcontractor trades. "We still have red flags," he said, noting concerns with still-high housing costs. "Maybe it's too early to call if we've cracked inflation. 2023 ended up way better than anybody expected—it was supposed to be a recession year, but the recession never came, and the labor market exceeded expectations. "I'm bullish on Utah," he added. "I look at the numbers and how we're going, and we're in a very strong growth pattern with the economy. Things will continue to expand." Indeed, despite nasty rising interest rates that put the brakes on some speculative development projects, Utah-based owners continued to plow ahead on projects, and by-and-large most market segments continued to see a healthy amount of activity as firms set about tackling healthy project backlogs.
By Reuben Wright 01 Mar, 2024
Crews working on bridge sections of the project did the majority of heavy-lifting—as seen with these giant cranes lifting heavy girders—during the wee hours of the night, part of UDOT’s expectations of keeping traffic moving by limiting road closures. (night photos by Kjell Gerber, BuildWitt)
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