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A More Humane Prison

The massive new $1.05 billion Utah State Correctional Facility was designed and constructed with an eye towards turning the corner on recidivism rates, and genuinely providing a better atmosphere for offenders and officers alike.
By Brad Fullmer

As he reflected recently upon the design of the new $1.05 billion ($825 million construction cost), 37-building Utah State Correctional Facility (USCF) compound west of the Salt Lake International Airport off I-80—built to house up to 3,600 offenders but with a current population just under 2,500—Kevin Miller recalled a trip he took to Grand Junction, Colorado, in 1992 to tour the newly completed Mesa County Jail, which was designed as a direct supervision facility. 

Miller, who was only four years into his career at Salt Lake-based GSBS Architects, was riding in the back of a state-owned Ford Econoline van and chatting up then Utah County Jail Commander, Owen Quarnberg, about his decision to push for a similar design type, despite it requiring more staff to operate than an indirect supervision model, which meant increased operational costs. 

“It was a significant outlier because of its direct supervision model—I had never been exposed to anything other than indirect supervision [design],” recalled Miller of local correctional facilities at the time. “I said to him, ‘Owen, why on earth do you want to go for this direct supervision model, which requires more money for staffing, putting officers on the floor in the middle of dangerous people […] everything I had in my head about jail design at the time. Why make this seemingly preposterous decision? He said to me, ‘If I can change one person, I’ve done good’.”

“That moved me,” said Miller, who is one of the foremost authorities in Utah on correctional facility design, having contributed his expertise to 20-plus projects of significance and another dozen minor remodels in Utah, Idaho, and Wyoming, plus a project for Navajo nation in Arizona. “That was the essence of it. It’s not about how cheaply to house 3,600 [offenders]. It’s out of those 3,600, can we fix one, or two, or ten. Or all of them. That’s what moves the needle. At this juncture, I’ve housed—by virtue of my designs—thousands of (offenders). I want to fix some—I don’t want to just house them.” 

The enormous new correctional facility compound—which replaces the long-outdated Utah State Prison (opened in 1951, replacing the Sugar House Prison) previously located at the south end of the Salt Lake Valley—was designed not only as a more occupant-friendly, direct supervision facility, but one that hopefully reduces recidivism rates and provides a better day-to-day environment for offenders and the officers that oversee them. 

“It was a monster of a project,” said Mike Ambre of the combined 1.3 million SF compound. Ambre, Assistant Director of Special Projects for the State of Utah Division of Facilities Construction and Management (DFCM), carried perhaps the heaviest load out of the hundreds of people involved with this facility over the past six-plus years. 


Most people, he says, simply call him “hombre" (Spanish for “man”), a playful twist on his last name, one that was strikingly accurate on this project—Ambre was “the man.” 

“He was the boss out there,” said John Branson, former Principal of GSBS Architects (now a Principal at Salt Lake-based Babcock Design) and one of the main USCF designers, of Ambre. “Mike’s direct responsibility was the entire prison—he had an immense load on his shoulders.”

(Lead Photo) The sprawling 37-building complex sits on nearly 200 acres in the Northwest Quadrant area west of Salt Lake International Airport off I-80 (aerial photo by Don Green Photography).  Incorporating natural daylighting into every housing unit was among the most important design considerations of the entire project (photo courtesy Layton Construction).

Indirect vs. Direct Supervision Models

According to a 2006 report by the Worcester Polytechnic Institute titled Correctional Facility Analysis and Design, a modern-day correctional facility compound (prison) has five primary purposes: 

1) Housing people who cannot function within the boundaries of a law-abiding society.

2) Protecting the general public from dangerous, potentially life-altering/threatening situations.

3) Reformation of offenders (prisoners), which translates into the structure having space allocated for education, social training, religious studies, solitary confinement, etc. 

4) Attempt to “cure” offenders of addictions and other mental health challenges through therapy, group activities.

5) Stand as a public symbol of moral, political, and social virtue. 

Correctional facility design in the U.S. has morphed considerably during this country’s 246-year history, but outside of modern technological advances, many facilities—particularly those that employ the indirect supervision model—are strikingly similar to those built during the country’s early days. 

The massive Eastern State Penitentiary (ESP, also called Cherry Hill) in Philadelphia operated from 1829 to 1971 and is one of the first notable examples of an indirect supervision correctional facility. Widely considered the world’s first true penitentiary, at the time it was the largest and most expensive public building in the U.S. 

Designed by British architect John Haviland, ESP (original capacity 450) became known for its “hub and spoke” design—an octagonal tower in the center connected via corridors to radiating cell blocks, which Haviland said offered watching, convenience, economy, and ventilation.

In 1930s and 40s ‘telephone pole’ design became popular. This design has a central corridor with housing wings built at 90 degrees from the corridor. The Utah State Prison was built in this manner. 

The first direct supervision correctional facility opened in 1981 in Contra Costa, California, the result of a competition by the Federal Bureau of Prisons between three firms, each of which came up with similar designs. The “podular remote” cellblock design of direct supervision models places officers in direct, constant contact with offenders, allowing them to interact on a more personal level and respond to trouble before it escalates. Officers have more responsibility for the organization, supervision and control of the daily operation of a direct supervision housing unit. Direct supervision has been credited with reducing vandalism, enhancing safety, and creating a more positive environment for offenders and officers. By 1983, direct supervision was formally recognized by the National Institute of Corrections.

In Utah and much of the surrounding Intermountain region, Miller said indirect supervision has been the predominant design model chosen by state and local government entities, primarily because of a more cost-effective staff-to-offender ratio of 1 to 244 (one officer can “supervise” 244 offenders) vs. 1 to 64 for direct supervision. The result? Indirect supervision has posted horrible long-term results in reducing recidivism and reforming offenders, according to several correctional facility studies over the past two decades. 

Miller, frankly, had little appetite to be involved with the design of USCF if the Utah Department of Corrections (DOC) and DFCM had chosen the indirect supervision model, despite his lengthy experience and interest with the building type. 

“If it was an indirect supervision jail, I knew what to do—there’s not a lot of mystery, not a lot of ground to explore,” said Miller. The idea of ‘how many bodies can I squeeze into as little square footage as I can?’,” was unappealing. He had a realization of the ineffectiveness of that model in accomplishing any good, other than simply housing “bad people”. 

“Hey, I can keep doing this, but to what purpose? “ he said. “You get to a certain point in your career that you start to treasure the opportunities you can make.”

Miller continued, “Our Department of Corrections, our state, had a more progressive vision, an idea that maybe we can do something different, was intriguing to me and, ultimately, it inspired me to really throw myself into the design of the facility and in trying to solve the problem in a way that really hunted towards those goals. That is rewarding.”

Once leaders from the DOC and DFCM determined the new USCF would be a direct supervision model, architects pursued every avenue to make the sprawling compound more humane. 

Miller specifically mentioned natural daylighting as a major design driver, along with creating spaces that offer a more “normal” existence. There was a lot of give and take between designers and the DOC; not every proposed design idea was accepted, but enough were to tip the scales. 

“It’s prison—let’s be clear,” said Miller. “We have a fundamental obligation to make it safe and secure for offenders and for the officers. You cannot sacrifice safety and security—that is job one.”  For both groups “the humanity of the facility is really important,” Miller said. “For 12 hours a day, [officers] are locked inside the facility in the same way as offenders. When the public thinks about the prison costs and the design attributes we desire to include—they get upset about how ‘nice’ they are—they are overlooking the circumstances of the offenders and the officers.”

He continued, “Daylight was a huge deal for us from the get-go. One of the real breakthroughs in the design was shifting to what everybody refers to as the linear model of housing—cells are arranged on either side of a rectangle around a dayroom. And at one end of the dayroom is a large window that looks out at the world—that’s true from the highest security housing sections to the lowest security housing sections. Every [section] is organized around the same premise. They have unique characteristics, but they all have that fundamental premise of being able to connect to the outside world. That is very, very unique. Everybody who has seen it has loved it.”

Each building unit features different housing styles: eight-person cells, two-person cells, and dormitory style—which offers an increased measure of privacy. 

 
Daylighting is widely considered a top design consideration for most projects, but “when it comes to detention, we consider other things more important,” Miller added. “[Daylighting] was on everybody’s mind from the very beginning. We were able to accomplish that in significant ways.”

The second main design initiative, Miller said, “was to the greatest extent possible, normalize behavior. Prison is an abnormal environment and the further down the rabbit hole of prison design you get, the more abnormal it becomes.”
Miller continued, “The folks in our prison system, on average, are back on the streets (or reincarcerated) after 2.5 years. They have not been given skills to manage life on the outside. We wanted to normalize behavior. Even though you’re in prison, we want you to be responsible for as much of your actions and behavior as possible.”

With the indirect supervision model, the overriding principle is that services are taken to the offenders in their cells—food, medications, even visitation is done via video monitors, so offenders don’t ever leave the main unit they’re housed in. 

With the new USCF, everything is a “go-to” destination for offenders in the general population. “You leave your housing unit, walk to the dining hall, and walk back,” said Miller. “Food, medical (treatment), visitations, education, programming, religious studies—all of these aspects are designed to be as normalized behavior as we can make them, while maintaining safety and security inside the cell.” 


Challenging Site Required Extensive Infrastructure Design

Because of USCF’s location near the Great Salt Lake, soil conditions offered huge initial challenges in getting the site stabilized before infrastructure and vertical construction could even happen. Because of the complexity of each utility system, civil engineers determined it was necessary to 3D model each system to minimize conflicts during construction. Infrastructure included 10+ miles of roadway split between seven miles of new vehicular roadways and another four miles of pedestrian corridors, seven miles of sanitary sewer force main in the Northwest Quadrant to service the new facility, as well as anticipated future development in the Northwest Quadrant. On-site storm drain infrastructure included a pre- vs. post-storm drain analysis, factoring in various Great Salt Lake elevations. Five acre-feet of detention was incorporated into the site to reduce the discharge to the pre-developed flow. Engineers also completed the design and modeling of separate culinary and fire distribution systems. The modeling included culinary service for a population of 5,000 individuals (offenders, officers, staff, and visitors) distributed through approximately 180 developed acres and 31 buildings.

Environmental services included Wetland and Waters of the U.S. Delineations, Class I and Class III Cultural Resource Inventories, and coordination with U.S. Army Corps of Engineers and State Historic Preservation Office (SHPO). The compound includes a 2MG water tank with an associated pump station, a regional gas meter farm, a regional power substation, and a sanitary sewer screening facility on site. 

Because of the location so close to the shores of the Great Salt Lake, and the high corrosivity of the soils, the site required extensive protection for all the underground utilities. This included 7.5 miles of new 24-in. waterline along the roadway, 13 miles of 16-in. and 18-in. sewer force main, and 1,800 ft. of gravity sewer line. Nearly one million cubic yds of fill was required just to bring the site to grade.

Electrical infrastructure was also substantial and included a wide array of design aspects, including a new electrical substation, a large central plant, a highly redundant power system from the substation to each critical on-site building, underground 15kV distribution in looped configuration, and complex power, lighting, fire alarm, and AV/IT systems. The system includes over 25,000 LF of two-way, four-way, and six-way underground duct banks, multiple substation transformers, a 10 MW medium voltage backup generator plant, and a campus wide SCADA load management system, all of which is vital to ensure continuous power availability for this critical facility.

The complex CM/GC joint venture involved coordination between multiple electrical contractors, dozens of phased bid packages, and coordination with half a dozen or more building engineers. 

The schedule was aided by the utilization of precast concrete cells which were prefabricated at an off-site casting yard by Ogden-based Oldcastle Precast. Once on-site, the cells were finished with fixture installation and other aesthetic finishes. Electrical and mechanical stubouts were provided for final connection to the building systems.


Lower security housing units feature dorm-style beds for increased privacy (photo by Sohm Photografx).  Mike Ambre (Photo above)—everyone calls him ‘hombre’—was indeed ‘the man’ for DFCM Utah on this project, investing six-plus years of his career and interacting with literally hundreds of people from the Utah Department of Corrections, the Utah legislature, and the local A/E/C community. Highly complex systems  like this massive mechanical room are a hallmark throughout the complex and required the expertise of dozens of reliable, skilled trade partners

Getting Real About Final Cost; Construction Teams Overcome Myriad Challenges

The Utah State Legislature originally approved plans for the new USCF in August 2015, with a budget of $550 million, which quickly grew to $690 million, and ultimately topped the billion-dollar mark by the time of final completion in May 2022. 

Ambre said the project—which broke ground in December 2017—started slowly, with the schedule bogged down somewhat due to funding challenges and procurement timelines. Eventually, the state legislature recognized the need to provide more funding for the project to prevent schedule delays. 

“The legislature and everybody else saw the writing on the wall and when they came to grips with the real cost there was a pendulum swing overnight,” said Ambre about receiving adequate funding. “That helped a lot with morale.” 

The state hired the joint venture team of Big-D Construction of Salt Lake and Phoenix-based Kitchell Corp. to review designs, track cost estimates, evaluate bids, and help with overall project management. while a second joint venture team of Salt Lake-based Okland Construction and Sandy-based Layton Construction served as CM/GC. 

Joint venture projects are typically challenging due to sheer size and scope factors, in addition to trying to meld diverse company cultures between firms that are typically fierce competitors. On USCF, top project executives from both Okland and Layton said there was an emphasis from the beginning to get all team members working together so as to mitigate schedule delays while maintaining premium quality. 

“We knew it was important to integrate and act as a single team,” said Shauna Deskins, Sr. Project Manager for Okland. “We knew we would be asking people to get uncomfortable and work in uncharted territory. 

“A joint venture is always a challenge bringing cultures together and getting everybody on the same page,” added Dave Whimpey, Construction Manager for Layton. “Our management teams were integrated and worked together. A bid package team may consist of a Layton project manager and an Okland superintendent, with a project engineer from each company. I believe the way we integrated our teams created a spirit of teamwork. We tried to focus on our similarities. We realized we’re more alike than we are different.” 

The scope of the project was unlike anything the state and even some of the contractors had built previously.

“It is a one-of-a-kind facility with a lot of firsts on this project,” said Deskins of the complex infrastructure and massive scope. “It’s like a little city.”

The construction team broke the entire complex down into individual projects, which was critical to keep it on schedule. 

“In trying to manage a project of this size you have to break it down into pieces,” said Whimpey. “With 30-plus buildings on a 200-acre site, each building had its own set of plans and documents and we had individual teams to manage each project. In some cases, we had multiple buildings in one package. It was figuring out what makes the most sense in trying to eat it one slice at a time.” 

The project was in full-swing when the Covid-19 pandemic struck in March 2020, sending initial shockwaves that caused significant concern among leaders on how to keep the project moving forward, while ensuring the health and safety of a workforce that reached 1,500 during peak construction times. Complex electrical and mechanical systems (plumbing and HVAC) required seven different contractors per trade, illustrating the massive scope of this project. Virtually every trade required at least four different companies just to meet the schedule. 

“The very beginning of Covid, it was like the world shut down,” said Ambre. “The biggest thing was the fear of the unknown and how contagious it was. We were almost peaking with 1,200 in manpower at that time. It was interesting how we strategize on how to keep people safe on site and keep the project running. I don’t think we lost any time [with the schedule]. We had procured 95% of items and were in front of supply chain issues.”

The strictest of protocols were put into place, not the easiest undertaking when dealing with literally thousands of workers from more than 450 subcontractor firms. 

“Covid shook us, but there was some good that came out of it,” said Deskins. “There was initially a huge fear with every craft worker regarding how quickly [an outbreak] could shut the work down. There was a huge need to pull together and take care of each other—our trade partners embody that. All protocols were met—they rose to the challenge.”

“Just keeping the job going was a unique success, and without any large outbreaks,” added Whimpey.

Ambre said once the facility was completed and turned over to the Department of Corrections, very few major construction punch-list items. 

Ambre praised the design team of GSBS and HOK for pushing the envelope on making the facility more humane and hospitable. 

“To Kevin and his team, HOK, John Branson, I give them a lot of credit. This was such a monster, and to keep consistency and to have the horsepower to pump out that many drawings—it’s remarkable what they achieved,” said Ambre. “Kevin was hoping to swing the pendulum a little more towards the European model—a less hardened version of [correctional facilities]—which gives more respect, more freedoms, opportunities, and learning experiences from where the Department of Corrections has been the past 60 years. It was tricky to convince them to go in that direction. We understand we’re not here to warehouse [offenders]. We’re here to help with recidivism.” 

“It was a very complicated project,” said Branson. “I always equated it to building a small city. It has all the functions of a small city, plus it was a complicated site with major soil issues. It was a constant learning experience.” 

“I’m very proud of the work we did,” said Miller. “It’s not necessarily the type of architecture I imagined myself doing when I went to architecture school, but I think, for once, we might have moved the needle. It’s more humane, more normative, and hopefully a more purposeful facility than any other I’ve been involved with. I really hope it makes a difference.”

“I take huge pride in what we were able to accomplish,” said Branson. “I worked with great people in an intense environment. It’s part of my legacy but also for probably 75 architects and engineers. Everyone should be proud. It’s not glamorous, but the outcome is important. It serves a critical social function. No one wants to spend money on prisons—that’s understood. But it is part of our society. Until society changes, here we are.”

Ambre added, “One thing I take away from it, is there is always more than just one solution. This job taught me that you have to listen to everybodys perspective. You can’t think that you have the [right] answer.”

“To have the safety record we did with the number of man hours we had was impressive,” said Whimpey. “Kudos to the entire team across the board. I would often be talking to our employees and say, ‘I don’t think any of us will realize how much we’ve grown until after it’s done.’ I recognize the growth we all had working together on this project, both our company and all individuals involved. To do a project of this size was very satisfying.”


Project Team

Owner: Utah DFCM

Management: Department of Corrections 


Design Team

Architect: GSBS Architects; HOK

Civil Engineer: Horrocks Engineers; Psomas 

Electrical Engineer: HOK; Spectrum Engineers; Envision Engineering

Mechanical Engineer: HOK; Colvin Engineering; Spectrum Engineers

Structural Engineer: HOK; Reaveley Engineers; Dunn Associates

Geotechnical Engineer: Gerhart Cole

Landscape Architect: GSBS Architects

Food Service: Faassen & Associates 

Building Code: Jensen Hughes, Inc.

Specialty Consultants: Corrosion Control Technologies; Sierra West Consulting; Trommer & Assoc.; MKK Consulting Engineers; Parametrix, Inc. 


Construction Team

General Contractor: Layton Construction/Okland Construction JV

Managing Consultant: Big-D Construction/Kitchell (BDK) JV 

Concrete: Layton, Okland, JRock, MG Green (site), Ralph L. Wadsworth

Plumbing: A&B Mechanical, Archer Mechanical, Harris Mechanical, J&S Mechanical, KHI Mechanical, Kozco Mechanical

HVAC: A&B Mechanical, Archer Mechanical, Harris Mechanical, J&S Mechanical, KHI Mechanical, MJ Mechanical 

Electrical: CVE, Grandstaff Electric, JP Electrical, Probst Electric, STF Electrical, Wilson Electric, Wasatch Electric

Masonry: IMS Masonry, JH Masonry, Child Enterprises, Allen’s Masonry

Drywall/Acoustics: K&L Acoustic & Drywall, Alpine Drywall, Golder Acoustics, CSI Drywall, DAW Construction, KCG Management 

Painting: Pacific Painting, Grow Painting, Cornerstone Painting, RP Painting

Tile/Stone: CP Build Enterprises, Millcreek Tile & Stone

Carpentry: ISEC, Anvil Construction, Artistic Mill, Boswell Wasatch, Contempo Cabinets

Flooring: Wall 2 Wall, Flooring Services, Spectra Contract Flooring

Roofing: Superior, Heritage, All Weather Waterproofing, Progressive, Noorda

Glass/Curtain Wall: Mollerup Glass, NGI, CML/Cornerstone, Capitol Commercial Glazing, Beacon Metals

Steel Fabrication: Glassey, Schuff Steel, Amfab, Intermark, Boman & Kemp, Ezarc Welding, Harris Rebar

Steel Erection: Glassey, Schuff Steel, Amfab, Intermark, Boman & Kemp, AP Welding

Precast: Olympus Precast, Oldcastle 

Landscaping: RBI 


By Brad Fullmer 01 Mar, 2024
Adobe’s 680,000 SF Lehi Campus is an iconic project in Lehi that was completed in two phases, with the first phase opening at the beginning of 2013 and signaling a new era of development along the Silicon Slopes corridor. (photo by Dana Sohm) Inset: Aerial view showing an illustration of Texas Instruments’ new 300 mm semiconductor wafer manufacturing plant—referred to as “LFAB2”—which broke ground last November and marks the single largest investment (over $11 billion) in state history. (photo courtesy Texas Instruments)
By Brad Fullmer 01 Mar, 2024
Work continues to grind forward on the mammoth new Salt Lake City Water Reclamation Facility (WRF)—a critical $850 million project being built by a joint venture of the Salt Lake regional offices of Sundt Construction and PCL Construction that will replace the current facility in North Salt Lake once it's turned over to SLC's Department of Utilities (SLCDPU) in July 2026. As it stands, this is the second-largest project in City history, trailing only the recent $2 billion-plus Salt Lake International Airport Redevelopment (Phases 3-4 ongoing), and one of the most technically challenging projects in the state. "We are up for the challenge every day—the magnitude of this thing is unreal," said Manny Diaz, Project Manager for Salt Lake-based Sundt, as he drove around the massive 30-acre site in late-January, a worksite teeming with 300 current employees (it will peak at 400 workers this summer) and myriad complicated structures being built simultaneously. Diaz is a long-time veteran of the water reclamation facility industry—this project marks plant No. 26 in his own personal history—and he was brought in a year ago by Sundt because of his expertise. When he arrived in Salt Lake at the beginning of last year, it was right smack dab in the middle of what proved to be a record-breaking year for snowfall. "It was quite a welcome to Utah!" Diaz chuckled. "We keep very close tabs on the weather." And while crews haven't been subjected to the same inclement weather this winter, site conditions are still generally wet and muddy, and the difficulties associated with building the various structures are constant. Crews are nearing the halfway mark, so certainly it's a milestone worth acknowledging, even though a mountain of construction is still left to climb. "It's such a huge accomplishment to be this far," said Jason Brown, Deputy Director of Public Utilities for SLC. "We've faced a lot of challenges, Covid, material shortages [...] it's amazing to be part of a team that works so well together. We still have a long way to go, but we'll get there. We've made a lot of progress and should be proud, but it's hard to celebrate success with so much work still ahead." Diaz, along with PCL Project Manager Shayne Waldron, said crews recently achieved a major milestone: one million hours worked, a notable accomplishment. “Achieving the ‘one million hours worked’ milestone is a testament to the coordination and collaboration required of a project this size," said Brown, adding that the new WRF project benefits from regular and ongoing staff collaboration, under the watch of Sundt/PCL, designers AECOM and Jacobs, and SLCDPU leadership. “This [milestone] is the culmination of many different efforts,” added Mauricio Ramos, District Manager for PCL’s Civil Infrastructure Division. “From local engineers to pipe layers, journeymen, construction trade workers, foremen, and general laborers, every team member has been instrumental in reaching this benchmark. The collaboration between PCL and Sundt has been a testament to our shared commitment to excellence and innovation.” "Our crews are working together seamlessly to ensure that the final product meets the goals and needs of the community," said Sam Reidy, Senior VP and District Manager for Sundt. "Celebrating this milestone recognizes the hard work and commitment each member of the project team has made to this project and the Sundt/PCL partnership." Diaz and Waldron said soil conditions challenged the team right out of the gate and took significant time to stabilize the site. "At the very beginning, the project was designed to be built on top of where the sludge beds were at, but it turns out the sludge beds were on shaky ground," said Diaz. "This whole area is young in age, so it's all soft clays and sands," added Waldron. "Soft clays are compressible, so the big issue is settling. It would have [cost] $80 million in piles to shore it up, and then in between buildings you have all the pipe and utility duct banks, so they would almost need to be built on piles." Waldron said the idea came up to pre-load the whole site, where crews built a flat pad, installed wick drains, then pre-loaded 30 ft. of dirt, with drains going down 125 feet and providing a way for water to be pushed out of the clay. "We had over seven feet of settlement," said Waldron. Crews also set up sophisticated monitoring equipment "to see where ground was settling and what layers were compressing the most. It was really scientific—a lot more than I've seen before." Diaz said it took six months to haul in the fill dirt where it remained in place for eight months, then took another six months to excavate out—close to one million yards of total material. It was an exhaustive process, with an average of 400 trucks per day and close to 500 trucks hauling 18,000 tons on the best day. Having a cohesive, highly collaborative team of designers and construction experts has been a boon to the project schedule. Once completed, Salt Lake City’s new WRF will serve over 200,000 residents as well as those who commute downtown to work or visit Utah's capital. It will replace the City’s current—and only—wastewater treatment facility, which is over 55 years old and near the end of its service life. Maintaining reliable operations at the existing facility while constructing the new WRF nearby has been critical for the project’s success. Since breaking ground in 2019, the project team has completed approximately 65% of structural concrete work as well as soil mitigation, deep foundation work, and the installation of underground utilities. In late January crews began excavating dual 63-in. diameter pipelines, along with a 78-in. effluent pipe that is being hauled one giant piece at a time from Canada, a new type of corrugated HDPE with welded joints that should provide greater durability. All in all, crews will ultimately pour 93,000 CY of concrete and install 22 million pounds of reinforcing steel, along with 89,000 LF of underground pipe ranging in diameter from 1.5-in. to 78-in. "The camaraderie among the team members allows for a very cohesive team," said Diaz. "The only way you can tell who works for who is by the color of the truck. We have a 'one project' mentality. The complexity of the job and being trusted to lead this effort [...] have been [important] for me. It's been a great job so far." Diaz, who said his first wastewater treatment plant was in North Miami Beach in the late 80s right after he graduated from college, hopes to remain in Utah once this job is completed and turned over to the client by mid-2026. “I plan on staying here and continue to work on treatment plants in Utah,” he said. “There’s a lot of work here. We have vast experience, and we have a lot of people who want to be in Utah—it’s a great place to live. Let’s do it!”
By Brad Fullmer 01 Mar, 2024
It's been more than 45 years (1978) since The Cars released their debut album highlighted by the wildly popular song Good Times Roll, but if there was ever a tune to sum up the general sentiment of local A/E/C professionals regarding Utah's 2024 Economic Outlook, Good Times Roll would be up there. "Our members are expecting another good year," said Joey Gilbert, President/CEO of the 650-member Associated General Contractors (AGC) of Utah. "For our contractors in both the building and highway markets, the outlook is good. Many still have decent backlogs to keep them busy through 2024 and in some cases, even 2025. The public sector is strong, and on the private side, owners are still investing in some big projects." Robert Spendlove, Chief Economist for Salt Lake-based Zions Bank, reported at the AGC's Economic Outlook meeting last November that commercial construction was up 1.6%, while Utah as a whole reported 2.5% growth overall, and believes both will continue to fare well in 2024. "Utah also has one of the lowest unemployment rates in the U.S. [2.5%]; when it gets too low, you get real struggles of labor shortages," he said. "It prevents companies from growing and is one of those defining economic characteristics of this past cycle. If we get above 4-5% we get nervous that it's a sign of a recessionary environment." Spendlove said tailwinds include strong consumer spending, a strong labor market, and an overall robust economic Intermountain West region, while headwinds could include a lack of new workers, government shutdowns, energy prices, and international uncertainty. Another bonus is that Utah remains one of the strongest states economically, regardless of what is happening nationally. "I would say uncomfortably optimistic," countered Dejan Eskic, Senior Research Fellow for the Kem Gardner Policy Institute at the University of Utah, citing a number of factors potentially slowing down the design and construction industry such as housing, labor, and material price fluctuations—basically the same post-Covid headwinds Utah-based firms have been battling the past couple of years. "On paper, we should have a decent economic year in Utah. Because it's an election year, it brings more optimism generally. Stock performance does better in an election year, jobs do better. You have to stick to those basics. Eskic has been with the Gardner Institute for eight years, including the past five in his current role, explained that some of the uncomfortableness facing the local economy stems from having virtually no labor pool in certain segments, including construction—which continues to face a dearth of skilled craftsmen in virtually all subcontractor trades. "We still have red flags," he said, noting concerns with still-high housing costs. "Maybe it's too early to call if we've cracked inflation. 2023 ended up way better than anybody expected—it was supposed to be a recession year, but the recession never came, and the labor market exceeded expectations. "I'm bullish on Utah," he added. "I look at the numbers and how we're going, and we're in a very strong growth pattern with the economy. Things will continue to expand." Indeed, despite nasty rising interest rates that put the brakes on some speculative development projects, Utah-based owners continued to plow ahead on projects, and by-and-large most market segments continued to see a healthy amount of activity as firms set about tackling healthy project backlogs.
By Reuben Wright 01 Mar, 2024
Crews working on bridge sections of the project did the majority of heavy-lifting—as seen with these giant cranes lifting heavy girders—during the wee hours of the night, part of UDOT’s expectations of keeping traffic moving by limiting road closures. (night photos by Kjell Gerber, BuildWitt)
By Brad Fullmer 01 Mar, 2024
It's been a long time coming for elected officials and the citizens of Millcreek City, but their beloved $45 million, nearly 80,000 SF City Hall is finally complete, ending a lengthy five-year process that tested all parties involved but produced an awe-inspiring six-story building that will serve as the public heart of this rising community southeast of downtown Salt Lake. "It's awesome!" gushed Jeff Silvestrini, in reference to his view as he peered out across the Salt Lake Valley from his fourth-floor corner office, with captivating views via a complex glass curtain wall system highlighted with an intricate, highly functional screen shade. As the only mayor Millcreek City has known during its brief seven-year existence (it was incorporated Dec. 28, 2016), Silvestrini was recently re-elected for another four-year term (he ran unopposed) and has been a driving force behind this new project. "I could see this [view] was going to be amazing when I climbed up the crane when the concrete structure was going up. Standing on the exposed sixth floor before the curtain wall went up, I was humbled at this monumental undertaking for a new city. What we do as a city government is serve the people. We can serve the people much better in a facility like this." Unique Municipal Design Fosters Public Engagement with a "Downtown" Feel Millcreek City Hall builds upon the momentum created by the adjacent Millcreek Common to the east (opened in December 2022) to create an actual "Downtown" or "City Center" space at the bustling area of 3300 South between 1300 East and Highland Drive, which includes a host of exciting new nearby multi-family and mixed-use developments under construction. The project leverages a public-private partnership (PPP) with a local developer on an adjacent shared parking garage, along with the much-needed residential housing. Silvestrini said City leaders "did not contemplate putting City Hall here" initially, but public feedback made it clear residents wanted a downtown area to call their own. Millcreek Common—replete with an ice ribbon, splash pad, and room for food trucks—was planned as a public plaza space and has been wildly popular since its completion in late 2022. Residents also wanted City Hall to have real spaces for the public, not just a strictly-government facility, which provided exciting design opportunities for Salt Lake-based MHTN Architects, which initially worked with City officials in 2017-18 on a City Center Master Plan, which came about via a grant through the Wasatch Front Regional Council, according to Ryan Wallace, Principal-in-Charge for MHTN. "It's located roughly in the geographic center of the community and easily accessed by vehicle, transit, and active transportation—it's something that can unite the community," said Wallace. "The client has created four projects in one," aided by a vertical building mixed-use approach on the narrow footprint, a key to allowing optimum future adjacent development. "We realized early on that there was an opportunity to build a true civic center," added Silvestrini. "The more we thought about it, the more it made sense." The commitment to having a true community building is evident on the first floor, which includes a coffee house, a restaurant, and a flex public market with rotating businesses. "[City leaders] wanted an activating ground floor use that would support their idea of a downtown," said Wallace. "They didn't want City Hall to only be active 8-to-5 and then a dead zone at night." City officials and MHTN staff also drew inspiration on a tour of the new City Hall in Lenexa, Kansas, which includes adjacent common space and a ground floor retail/public market. "Everyone seemed to be thinking on the same wavelength," said Peggy McDonough, MHTN President who served as Project Executive on Millcreek City Hall. "We all felt like this was a completely unique project, unlike any other city hall that we've been a part of, and the second that has a market level. It's being looked at as an example of good development." While level 1 is sure to be a hit with Millcreek residents and visitors over time, levels 2 through 5 showcase the versatility and functionality of the project, with all essential government functions for Millcreek City, along with Unified Police and Community Emergency Response Team (CERT). Unified Police is housed on level 2 and utilizes a one-level sally port/private garage under the building (another bonus of the PPP parking garage). Millcreek City is housed on levels 3-5, with the top floor—level 6—serving as prime community space highlighted by the Grandview community room and its opulent Cross Laminated Timber (CLT) roof that evokes a natural warmth throughout the space.
By Fran Pruyn 01 Mar, 2024
For the first time in its 103-year history, The Utah Chapter of the American Institute of Architects (AIA Utah) has a fully female executive leadership team. It wasn’t intentional, as Past-President Jessica Hoffman stated, “That is who stepped up.” And more importantly, these women have an aggressive plan for serving the entire, very diverse, association. "I'm very excited—we have a great team!" said Chamonix Larsen, Salt Lake City/Denver Department Manager for Morrison Hirschfield, who will serve as 2024 President. "They are all very passionate about what they do, and how architecture can make positive changes in our community." AIA Utah also has a new Executive Director, with Angie Harris Roberts coming on board last spring in a part-time role that transitioned to full-time in October. She is charged with overseeing industry legislation and streamlining AIA services such as providing standard contract documents, sponsoring educational events, and hosting conferences that communicate new design ideas, technologies, and initiatives. Larsen has targeted adding value to members and increasing public outreach scope as her focus for the upcoming year. One particularly exciting (and needed) project proposes a mentorship program that utilizes the talents of the AIA fellows and partnering organizations. The staff and board have applied for a grant and approached local firms for matching funds to build a long-term, multi-generational program, that assists mentees to achieve licensure faster and stay in the profession. Working through the Young Architects Forum and the American Institute of Architects Students, the program will enlist the talents of Utah AIA Fellows, the National Organization of Minority Architects, and Women in Architecture, connecting seasoned architects with emerging professionals. They will answer questions and give guidance and counsel on matters ranging beyond making design decisions and locating answers to technical questions, to how to craft career paths and find professional satisfaction. "We've been through some changes, and having a new executive director is exciting as well," added Larsen. "Coming out of the pandemic, it's been about reconnecting with everybody and improving our organizational excellence. It's important to me that we run as efficiently as possible, given that we rely on volunteers. We have an opportunity to dive into what firms need, and how we can better serve our members." Larsen addressed staffing, having access to quality talent, and attracting more skilled architects to the state as key topics. The outlook for Utah remains solid, she said, albeit with some tempered expectations in some markets (multi-family, industrial) which may see projects put on hold until interest rates soften. Utah's continued growth, steady economy, and the prospect of another Salt Lake Winter Olympics raises optimism for the foreseeable future. Leadership is also committed to helping sister organizations with programs aimed at stimulating interest in architecture from outside the industry and providing a pipeline of talent from a diversity of backgrounds into the industry. This includes encouraging programs in elementary schools to educate children about the role of architecture in a community, collaborating on youth mentoring events, and fostering NOMA’s effort to bring architects from underrepresented groups into the College of Fellows. 2024 AIA Utah Leadership President – Chamonix Larsen, AIA is an experienced architect with a diverse professional background with 20+ years of experience including building envelope consulting, architectural design, technical design lead, project management, owner’s representative, and commissioning authority. She joined Morrison Hershfield’s Building Science Division in 2017 and manages building envelope consulting teams in Salt Lake and Denver. While at the State of Utah, Larsen oversaw the development and implementation of the DFCM's High Performance Building Standard and state-wide operational sustainability efforts. She is also an adjunct professor at the University of Utah College of Architecture and Planning. President Elect – Whitney Ward, AIA, LEED AP is a Principal at Salt Lake-based VCBO Architecture and has been with the firm since 2007. Ward embraces a holistic design approach and is an advocate for both community engagement and sustainable design. She also teaches Sustainable Development as an Adjunct Professor with the University of Utah City and Metropolitan Planning Department. Secretary – Natalie Shutts-Bank, AIA, RIBA is an experienced architect who thrives when navigating between the vastness of all creative possibilities and the real-world constraints of any design problem. She has worked multiple design typologies at a range of scales on higher education, civic, hospitality, healthcare, and large-scale residential projects. Treasurer – Libby Haslam, AIA, RIBA, LEED AP, NCARB is the founder of Studio Long Playing, an architectural firm that practices many typologies of spaces. The firm’s current focus is on higher education. Studio LP is also engaged in restaurant design and residential work, with the intent for collaboration with different artisans and art forms. She has been teaching studio as an Associate Professor (career-line) at the University of Utah School of Architecture since graduating from the U in 2001For the first time in its 103-year history, The Utah Chapter of the American Institute of Architects (AIA Utah) has a fully female executive leadership team. It wasn’t intentional, as Past-President Jessica Hoffman stated, “That is who stepped up.” And more importantly, these women have an aggressive plan for serving the entire, very diverse, association. "I'm very excited—we have a great team!" said Chamonix Larsen, Salt Lake City/Denver Department Manager for Morrison Hirschfield, who will serve as 2024 President. "They are all very passionate about what they do, and how architecture can make positive changes in our community."
By LADD MARSHALL 30 Nov, 2023
(left to right) Gene and Sue Larsen, their son Blake, and his wife, JaLynn, at the CFC Supply Christmas Party, made extra special this year with the firm’s 25th anniversary. (photos courtesy CFC)
By Taylor Larsen 30 Nov, 2023
By Brad Fullmer 30 Nov, 2023
Commercial Project--Honor 95 State at City Creek
By B. H. Wright 30 Nov, 2023
The days of the commercial industrial market consisting primarily of boring, staid (read: ugly) warehouse and manufacturing buildings are long gone, as employee-conscious corporations and forward-thinking real estate developers have been realizing the value of housing employees in spaces that sizzle with stylish interior designs with loads of on-site amenities. Hexcel Corporation did just that with the design of its most significant recent project in West Valley City, a $34 million, 105,000-SF facility dubbed the Center of Research & Technology Excellence, which includes the largest high-performance carbon fiber manufacturing plant in the world, along with housing Hexcel's aerospace matrix operations. The center is "designed to encourage and inspire our team to dream big and ensure that our customers are awarded the strongest, lightest weight, most durable advanced composites that the world has ever seen," said Nick Stanage, Hexcel Chairman, CEO and President. He said that when the Center opens, “you will be surrounded by everything it means to be a leader in advanced composites technology. You will see high-tech labs and cutting-edge research and testing equipment. Our lobby will showcase advancements and innovations that are propelling the future in commercial aerospace, space and defense, and industrial markets.” Sharp aesthetics and providing optimum working conditions are a must for employers in a market with a current state unemployment average hovering just over 2% and in a society where the workforce is increasingly opting to work remote (at home) either full-time, or with a hybrid/flex schedule. The primary objective of the facility is to serve as a catalyst for research and development in advanced composite technology, with a specific focus on aerospace, space, defense, and industrial applications. According to Mike Phillips, VP of Project Development at R&O Construction's Salt Lake office, the fast-track design-build seamlessly blended a tilt-up laboratory with a two-story Class A office building, illustrating the owner's attention to high quality and optimum design. "The entire team was focused on schedule and cost throughout the process, while meeting owner's requirements and needs. It was a very successful project." The facility's design transcends conventional manufacturing and research spaces. Instead of a stark separation between these functions, the building integrates both—fostering an environment where scientists and production personnel can collaborate seamlessly. This approach underscores Hexcel's commitment to innovation and how diverse functions can coexist within the same space. One of the project's most noteworthy contributions lies in its commitment to sustainability. Hexcel actively recycles carbon fiber prepreg composite cutoffs to produce composite panels that find applications in commercial markets. By upcycling and repurposing materials, the project demonstrates a forward-thinking approach to resource utilization and waste reduction. In a resourceful move, the tilt panels were utilized as the crane path to avoid potential soil issues. This approach was executed after thorough consultation with engineers, resulting in a seamless process with all panels standing within a short timeframe, without any compromise to structural integrity or aesthetic appeal. Exterior Trespa panels were strategically oriented to create a dynamic carbon checkerboard pattern, aligning with the aesthetic of Hexcel's innovative products. This deliberate choice not only showcases a visually striking design element but also reflects the company's commitment to excellence in composite materials. Tilt-up panels underwent a meticulous sandblasting process to enhance their carbon-like appearance. This technique, applied after curing and installation, contributes to the overall visual effect and reinforces the project's dedication to craftsmanship.
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